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May 6, 2004
Let us accept the claim by David Bernstein that abusing the Star of David is deeply offensive.

Spooner
The Spooner piece refers to a political artwork that was shown in Melbourne. David Bernstein from The Age reports the decision was made to remove the offensive anti-Israel art display in Flinders Street after controversy. I don't know the exhibition, the artspace or this work referred to. All I know that it was in Melbourne, that it sparked controversy about the nature of art, and that it was dismantled.
Bernstein says that the removal decision rekindled the freedom of speech and art debate that erupted over Andres Serrano's equally offensive Piss Christ a few years ago. He says that there was never any doubt that the exhibit - "which superimposed a series of outrageously distorted "facts" about Israel's mistreatment of the Palestinians on a huge Star of David - was going to enrage the local Jewish community."
Bernstein then critically deals with the "facts" listed in the art work.
When I read his reasoning I thought this indicates why it is so difficult to have a debate on the Israeli /Palestine issue; one that sorts through issues rather than than engaging in personal attacks.
Since I'm going to be on the road today I will leave it up to you gentle readers to spot the problems in the way that Bernstein deals with the "facts".
Update
The artwork in question:

It is titled 'fifty six', it was by Utako Shindo and Azlan McLennan, and it was exhibited at 24/seven. The artists statement can be found here. Links courtesy of om_blog.
We have this description of 'fifty six' by some journalists at The Age:
'The work features a large Star of David painted on a wall. Red text, on the window in front, reads: "Since the creation of Israel in 1948. 200,000 Palestinians have been killed. 5,000,000 refugees have been created. 21,000 square kilometres of land has been annexed. 385 towns and villages have been destroyed. 300 billion military dollars have been spent. 100+ WMD's have been manufactured. 65 UN resolutions have been ignored.'
The Flinders Street project, titled 24seven, involves exhibition of artworks from February to November. Artists can use the space for one calendar month. Works are visible all day, every day from February to November.
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The real mystery is why Australians get so het up about a conflict, and a pretty minor conflict at that, between people in a far away country of whom we know nothing.
I must admit my eyes glaze over when this stuff hits the news.