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October 26, 2007
There's a smidgeon of hypocrisy going on when a publication devoted to guarding the free market from the ravages of communism relies on funding other than profit from sales for its continued survival. Unlike that hotbed of postmodern, self-loathing, communist, Labor-voting maniacs bunkered down at The Monthly, Quadrant magazine is not entirely subject to the laws of supply and demand.
Be that as it may, Guy Rundle at Crikey thinks that the appointment of Keith Windschuttle as Editor heralds the dementia years for the grand old girl. Gold-leafed erections aside, the bigger story is the death throes of the culture wars. Windschuttle is just too, well, Windschuttle to sustain any pretence at reasonable.
Greg Sheridan has been lamenting the demise of the conservative worldview before the body's even cold, blaming Howard for failing to sufficiently squish the ABC, pulverise the public service or cut those infamous elitists in our universities off at the knees.
So after 12 years of Howard Government, the Australia Day committee gives us a rank agitator such as Tim Flannery as Australian of the Year.
Traitors.
The Left is full of energy. The most lively small publication is the left-wing magazine The Monthly.
Damn their eyes. Even the lethal combination of common sense and market forces can't prevent the relentless march of polluting progressive thought. We'll all be rooned.
Griffith Review is apparently yet another example of putrescence seeping unchecked across our glorious land of bounty, fortitude and convention. Chipping away at the conservative mothballs valiantly repelling voracious and wanton leftist moths from our green and gold cardigans.
It keeps popping up around here, but the Australian Election Study [pdf] gathers a bunch of interesting things about 'we the people' into one place. Contrary to what we've been told about ourselves for what seems like several lifetimes, Australia is not conservative in the culture wars sense. If any. We know plenty of stuff about ourselves that our representatives in politics and media don't seem ready to accept.
We don't automatically equate abortion with murder, we don't think euthanasia is abomination regardless of circumstances and we got used to the idea of same-sex couples way back in the 1970s when Don and Dudley on Number 96 led lives as ordinary as the rest of us. Taxpayers are taxpayers after all. Somewhere along the line the spokespeople of our society seem to have got us mixed up with some other country.
Bill Bowtell brings some of this into a political perspective. We're not as conservative as our election results over the past century suggest because our system doesn't reflect majority opinion.
This absurd contraption of single member electorates locks up and effectively disenfranchises millions of Australians in safe electorates, while showering largesse on a small number of voters in marginal seats.
Over time, this has created a massively distorted imbalance in the national distribution of services and subsidies.
This has counted against safe seat voters on both sides of the political spectrum – and especially voters in most rural and regional seats and the inner cities.
The historical dominance of conservative government has more to do with arbitrary distribution than representativeness. Small comfort for the time being, but it's nice to know we're not as backward a nation as Windschuttle, Sheridan and our electoral system would have us believe.
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Rather strange because as you recently pointed out, the editor of the OZ had a lead article in this months Quadrant re how the "conservatives" were winning the culture wars.
I loved Guy Rundles humour. Isnt the said wind-bags offense at phallus's on the opera stage akin to the outrage at Janet Jackson's exposed breast on USA TV a couple of years ago.
Meanwhile wasnt/isnt one of Wagner's great themes the politics of the phallus. Which is also one of the poles around which most great works of art are woven.
Meanwhile the phallo-centric sex paranoid puritans are waging "holy" war all over the planet. Even Noel Pearson came out in support of that project in todays Oz.