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May 29, 2008
The Rudd Government's response Bill Henson scandal confirms what I'd suspected before the election. This is a right wing socially conservative Labour; one that had appealed to the intellectuals by going on about the Brutopia of the free market that was arising from those awful Hayekian policies of the free market think tanks. The intellectuals fell into line. A new day was dawning with Rudd Labor.
Alan Moir
Now we have police raids on Sydney galleries, artists in the dock, attacks on contemporary art as the thin blue line goes searching for the dirt and filth under the bedclothes of art. Art is sexualising our children, harming the young, fostering paedophiles intone the various Labour MInisters, whilst accepting the sexualization of kids in advertising, television, beauty pageants and talent shows as entirely normal.
This, remember, is from a political party that has defended the sexual offenders in its own ranks. Remember how they closed ranks around Milton Orkopoulos in Sydney and Bill D'Arcy in Queensland? Isn't that revolting? Condemning public erotica in the form of art as offensive and harmful, accepting it in advertising, and spinning the secrecy masked as decency in its own ranks.
It's the hypocrisy of the social/moral conservatism in federal and state Labor that I find so galling, not the social conservatism per se. This is concerned with the problems of moral disintegration in the context of the breakdown of the binding structures of the traditional order and it sees these traditional moral meanings as the guarantors of social cohesion in the nation-state.
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Bill Henson is Australia's cosmopolitan Australian avant garde photographer. His studio may be in Melbourne but the prices of his photos ($25,000) are those of someone working within the global market.
A lot of the attacks on his work is driven by a dislike of cosmopolitanism and an affirmation of traditional national (community) standards.