Thought-Factory.net Philosophical Conversations Public Opinion philosophy.com Junk for code

Mandy Martin, Puritjarra 2, 2005. For further information on MANDY MARTIN, refer here: http://www.mandy-martin.com/
If there are diverse kinds of knowledge and ways of knowing place, then we need to learn to value the different ways each of us sees a single place that is significant, but differently so, for each perspective.
RECENT ENTRIES
SEARCH
ARCHIVES
Library
Thinkers/Critics/etc
WEBLOGS
Australian Weblogs
Critical commentary
Visual blogs
CULTURE
ART
PHOTOGRAPHY
DESIGN/STREET ART
ARCHITECTURE/CITY
Film
MUSIC
Sexuality
FOOD & WiNE
Other
www.thought-factory.net
looking for something firm in a world of chaotic flux

political art & aesthetics « Previous | |Next »
November 13, 2005

There is a discordance between art and truth that goes back to Plato's explusion of the poets from the polis in The Republic.

The expulsion of an autonomous post-Christian art constitutes modernity. Here art is taken to be outside truth and reason in the discourse of aesthetics, and so it conventionally becomes only art, mere art and a matter of taste. Tis the consequence of positivism many say

The effect is the alienation of art. Tis science that speaks of truth whilst it is religion that speaks of morality. Art is personal taste--what I like. These are the signs of modernity.

What if art speaks in its own voice in post modernity?

PopcultureA.jpg
Michael Agzarian, digital image, 2005.

An exhibition of Digital portraits by Michael Agzarian at the Wagga Wagga Art Gallery show the Prime Minister (John Howard) and senior ministers (Attorney General, Philip Ruddock and Immigration Minister, Amanda Vanstone) with their lips sewn together.

Link via Barista, Daily Flute and Road To Surfdom

If art speaks in its own voice, then it does not speak truthfully or rationally. Something has gone wrong, for art does speak truthfully and it does speak about a better life than the one lived now. Maybe the discordance between art and truth (and goodness) is miscontrued in aesthetics? Maybe the conception of art outside truth and morality in aesthetic discourse is in need of a critique? A critique that understands art as historical--ie what it has been and will become.

What kind of history is that? Would it give rise to an aesthetic critique of modernity? One of remembrance, mourning and grief?

| Posted by Gary Sauer-Thompson at 09:32 AM | | Comments (0)
Comments