Thought-Factory Philosophical Conversations Public Opinion philosophy.com Junk for code

Mandy Martin, Puritjarra 2, 2005. For further information on MANDY MARTIN, refer here: http://www.mandy-martin.com/
If there are diverse kinds of knowledge and ways of knowing place, then we need to learn to value the different ways each of us sees a single place that is significant, but differently so, for each perspective.
RECENT ENTRIES
Hiroshi Sugimoto's architecture series
Dutch photography: Awoiska van der Molen
Pingyao International Photography Festival 2014: Australian photographers
Regional art: 'Of Obscured Significance'
Stephanie Valentin: Unseasonal
Shimmer Photography Biennal 2014: Alex Frayne
Shimmer Photography Biennal 2014: Jacqui Dean
Australian Photography: Kristian Hӓggblom
Australian photography: Jeff Moorfoot
The Sievers' Project
SEARCH
ARCHIVES
 
Library
Adorno: Culture Industry texts
Bataille vs Theory
Bataille on Miller
Bataille and Mysticism
Bataille on Emily Bronte
Inner Experience
Bataille on Kafka
Klossowski on Bataille
Madame Edwarda
Guy Debord: Society of the Spectacle
--shifting bits of junk and data trash to & fro--trying to feel connected in a postmodern world----
Thinkers/Critics/etc
T.W. Adorno
Derek Allen
Walter Benjamin
David Clowney
Brian Massumi
Simon Sellars
Situationist International
McKenzie Wark

adrift on a sea of information at a time when the world's night is a destitute time. In the age of the world's night, the abyss of the world must be endured.
WEBLOGS
Rhizomes1
poodlewalks
Adelaide book
Victor Harbor book
rethinking documentary photography
digital scrapbook

--Adelaide is home. Relaxation is Victor Harbor. I'm a frustrated photographer who has lost his way in life.I have trouble coping in the technological mode of being of our complex digital world.

Flickr stream
Gary's FACEBOOK
Thoughtfactory on Twitter
On the Road
Encounter Studio blog
Encounter Studio Gallery
Australian Weblogs
These are the ones in Australia that I drop by and read from time to time

Barista
Barb + Mal
Ephemeral-mal
Knotted Paths
Images to Live By
The Worst of Perth
Tales of Light
Critical commentary
These are the ones I drop by to read for critical reflections on the diverse strands of our nostalgic modernist and postmodern culture.
Renew Adelaide
Eurhythmania

Abstract Dynamics
Ballardian.com
K-Punk
Space and Culture
The Art Part
The Pinnochio Theory
Visual blogs
If the time is destitute because it lacks the unconcealedness of pain, death and love, then in postmodernity we are experiencing a shift from the texts of literature to images produced by various visual regimes. We now live embedded in a visual culture.
City Traces
Mal's Tumblr
PCL LinkDump

ashleyb
BLDGBLOG
Glowlab
Anny Hall
Moon River
Mountain 7
Now and Here
Stunned.org
This Public Address
Our time is the traumatic and meaningless situation of the collapse of everything previous thought had relied on
CULTURE

Cultural blogs

The best in us has perhaps been inherited from the sensibilities of earlier ages to which we hardly any longer have access by direct paths; the sun has already set, but the sky of our life still glows with its light, even though we no longer see it. (Nietzsche, Human, All Too Human)
Cup of Chicha
Identity Theory
Popular Musing
Pop Culture Gadabout
reading and writing
Radio Free Babylon
wood s lot

Culture Resources

Australia Council
Australian Network of Art & Technology
Australian Studies Resources
empyre
The Format Collective
Milkbar.com.au
Sydney Society of Literature and Aesthetics

Centre for Digital Discourse & Culture
Cultural Studies Central
Cyberspace, Critical Theory
Popcultures.com
PopMatters
Romantic Circles
Social Fiction Links
Spike Magazine
Theory.org.uk

Culture Mags & Journals

Adelaide Review
Australian Humanities Review
Broadsheet
Mesh

Art Daily Links
Art & Culture
Arts & Letters Daily
Bad Subjects
Ciac
ctheory.net
Culture machine
Electronic Book Review
Geist
Image and Narrative
Media-culture
Modernity: Critiques of Visual Culture
New York Metro.com
New York Review of Books
Paste Magazine
Postmodern Culture
Representations Online
things magazine
ART

Aesthetics/Art Weblogs/

art write

Sydney Arts Journo

the art life

Artrift
Arts Journal
Michael Bérubé
Iconoduel
Ready Steady Book
Philosophy of Art
(the teeming void)

Art Resources

Art.net.au

Art History Resources
Art History Virtual Library
Selected Internet Art Resources
World Wide Art Resources
Zeroland: the arts on the web

Art Galleries/Museums

Aboriginal Australia
Art Gallery of South Australia
Australian Centre for Contemporary Art
Bett Gallery, Tasmania
Japingka Gallery, Freemantle
Jinta Yappa Desert Art Gallery
Helen Maxwell
Museum of Contemporary Art, Sydney
Nangara
National Gallery of Australia
Tim Olsen
Rosslyn Oxley9 Gallery
Saville Galleries

Australian Aboriginal Fine Art Gallery of New York
Christine Abrahams Gallery
Guggenheim Museum
Metropolitan Museum of Art
Tate Modern
Whitney Museum of American Art

Artists

Mandy Martin

Francis Bacon Image Gallery
Fluxus Online
Tom Moody
Stunned.org
PHOTOGRAPHY

Photographic Commentary

Altfotonet blog
Big City Press blog
Blurry Thinking
Lee Grant
Light Documents
musings from the photographic memepool [the shallow end]

2Point8
Consumptive
Conscientious
Eye Curious
Imag3
Little Brown Mushrooms
Mrs Deane
Muse-ings
(Notes on) Politics Theory Photography
Photographs do not Bend
The Photo Exchange
The Sonic Blog
Urbanphoto
5B4

Photographer's weblogs/

Robert McFarlane
Mocking Bird

Elizabeth Avedon
Shane Lavalette Journal
lenscratch
(old) Alec Soth
Amy Stein
Will Steacy Blog
Brian Ulrich
Shen Weis
Two Looks

Photoblogs/

The things I saw
Neverhappen
The Plastic Lens
Scrawl
Urban Light

Brueospadana
Daily Dose
Dmitri Goutnik
Low Revolution
Spudooli
terror kitten
 The F Blog

Photographers

Stephen Best
Mark Kimber
Murray Fredericks
Lauren Hewitt
Robert McFarlane
Graham Miller
Stravos Pippos
Silvertrace--Sam Oster
Mike Stacey
stunik.com
Steve Wilson

Phil Bebbington
Stefan Beyst
Edward Burtnsky
Simon Norfolk
James Natchtwey
Amy Stein

Photographic Galleries


Australian Centre for Photography
Centre For Contemporary Photography
Huw Davis Gallery
Light journeys
Point Light
Stills Gallery
Queensland Centre for Photography

Afterimage
Canadian Photo-based Art
La Pura Vida
Catherine Edelman Gallery
Photoeye
The Photographers Gallery
Zone Zero Gallery

Online Photography Magazines

Flash

AG
Ahorn Magazine
Blue eyes Magazine
Deep Sleep
File
See Saw Magazine
Zone Zero Magazine

Online Resources

Altfotonet on Flickr
Ballarat International Photo Biennale
The Baldessin Press
Big City Press
FotoFreo
Melbourne Silver Mine
Oculi

americansuburbx
Flak Photo
Fine Art Photography Matters
Lens Culture
London Independent Photography
Piece of Cake
photo bloggie awards
Photoblogs.org
Photoforum-NZ
Photo Muse
DESIGN/STREET ART

Weblogs


Design Observer
peter me
Kottke.org
v-2 Organization

Designers

Australian INFront
CoOperationOfOnes
Design is Kinky
Inkahoots
Jeremyville
van Elst

Kaliber 1000
Lounge72
M/M Paris
Open Source Web Design

Resources

Rebecaa Ward Jewellery

Design at Design Musem
Eye Magazine
Point: Design Journal

Street Culture

Church on Fire
Ever Fresh Studio
Nice Produce
Stencil Graffiti Melbourne
State of Flux

Art Crimes
Art of the state
Duncan Cumming
Graffiti Archaeology
Stencil Graffiti
Street Logos
Wooster Collective

Sites/Resources/Mags

Design Institute: Knowledge Circuit
The Designers' Lunchbox
Design Philosophy Papers
Design Writing Research
Eye Magazine
IDN Proshop
Net Driver Magazine

ARCHITECTURE/CITY

Weblogs

an affair with urban policy
Butterpaper
Carfree Cities
Cities of Theory
City Comforts Blog
City of Sound
Civil Pandemonium
Gravestmore
sit down man, you're a bloody tragedy
Schwarz
socialfiction blog

Architects

Peter Eisenman
Michael Jantzen
Daniel Libeskind
G.& E Poole Design Company
Harry Seidler
Bernard Tschumi
Jorn Utzon

Magazines

Architecture Week
Arcspace
Icon Magazine
Interstices 4
Katarxis
Metropolis Magazine
Spacing

Sites/Resources

Archinect
Architecture.com.au
Architecture on the Web
W. Benjamin's Arcades project
Great Buildings
James Howard Kunstler
Incite
In the Mind of the Architect
Key Centre for Architectural Sociology
los angeles forum for architecture and urban design
Planetizen
Projects for Public Places
Sapling
Socialfiction
Urban Ecology Australia
University of Sydney Architecture
Van Alen Institute: Projects in Public Architecture
Film

Weblogs

Harlequin Knights
Adrian Miles Clog
Milk Plus

Resources, Critics

ABC Film links
Australian Film Institute
Cinetext links
Screening the Past

J. Hoberman
Mark Freeman
Long Pauses
Gerald Peary
Bill Routt
Bill Sheehan
Strictly Film School

Journals, Mags

Bright Lights Film Journal
Cahiers du Cinema.com
Deep Focus
Film Comment
The Film Journal
Film-Philosophy
Images
Midnight Eye
Real Time
Rouge
Senses of Cinema
Sight and Sound Strictly Film School
Urban Cinefile
MUSIC

Musicblogs

Flop Eared Mule
From a Lan Downunder
Rocknerd: Not Dead Yet
Rock 'n' Roll Damnation
Urban Myths

Blissblog
Buckman's magnatune blog
City of Sound
Hickory Wind
Post Classic
No Rock&Roll Fun
The Rambler
Rock Critics Daily
Alex Ross: The Rest is Noise

Musicians

The Band
Captain Beefheart
Ry Cooder
Bob Dylan
Grateful Dead
Magnatune
Miles Beyond
John Oswald
RadioHead
Silver Apples
Stockhausen
Richard Thompson
Van Morrison
Velvet Underground
Wilco
Brian Wilson
Frank Zappa

Music

ABC Dig Internet Radio
Digitally Imported
Dead Bootleg Shows
Dawgnet
Grayfolded
Interenet Archive
Nugs.Net
Wolfgang's Vault

Critics/Reviews

Adrian's Album Reviews
AMG All Music Guide
Brian Burk's Creative Noise
Robert Christgau
Jack Fenny
The Foundry
George Graham
Roger Lee Reviews
John McFerrin's Reviews of Music
Music Box
Music Junkies Anonymous
Musicangle
Neumu
George Starostin's Classic Rock Reviews
TheBestofWebSite
Wilson & Alroy's Rock Reviews

Resources

All About Jazz
Experience Music Project
History of Electronic Music
DJ Martian's Page
Gadflyonline
Flaskaland
Oz Music Project
Musical Time
Popmatters
Real Country
Rock Critics.com
Rock's Backpages
Rough Guide to Music
Piero Scaruffi's History of Rock Music
The Smile Shop

Magazines

Blender
Coke Machine Glow
Ear Candy
Grooves
No Depression
Stylus
Tiny Mix Tapes
Pitchfork
Trouser Press
Village Broadsheet
Uncut
Undercover
The Wire
Sexuality
Tom M.Wilson
FOOD & WiNE
Maggie Beer
Stephanie Alexander
Henschke
Miettas
Second Draft
Other
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www.thought-factory.net
looking for something firm in a world of chaotic flux
Junk for Code Archive  
  • Hiroshi Sugimoto's architecture series
  • Dutch photography: Awoiska van der Molen
  • Pingyao International Photography Festival 2014: Australian photographers
  • Regional art: 'Of Obscured Significance'
  • Stephanie Valentin: Unseasonal
  • Shimmer Photography Biennal 2014: Alex Frayne
  • Shimmer Photography Biennal 2014: Jacqui Dean
  • Australian Photography: Kristian Hӓggblom
  • Australian photography: Jeff Moorfoot
  • The Sievers' Project
  • 2014 Bowness Prize finalists: Claudia Terstappen
  • SALA in Adelaide: photography + history
  • 2014 Bowness Prize finalists: Nici Cumpston
  • US photography: Sarah Christianson
  • British Photography: Arnau Oriol, urban commuters
  • French Photography: Antoine Bruy
  • British Photography: Chloe Dewe Mathews
  • Edgelands: Alexander Gronsky
  • Alexander Gronsky: Moscow's edgelands
  • Darren Almond: moonlight landscapes
  • Australian photography: Sonia Macak
  • Australian photography: Sonia Payes
  • Australian photography: Brenda L Croft
  • Claudia Terstappen: Australian landscapes
  • The Photoville Film Festival: Canberra Lab
  • an old debate revived
  • Vincent J Stoker: Heterotopia: The Tragic Fall
  • Claude Cahun: photography as theatre
  • picturing Mars
  • Lewis Baltz: Candlestick Point
  • on color photography
  • Charles Gatewood: Wall Street
  • Rob Ball: liminal space (inbetween space)
  • Bryan Schutmaat's American West: landscape
  • Jasmine Swope: seascapes
  • Giorgio Barrera:--motorways
  • Ron Cowie: using an 8x10 differently
  • Adelaide photography: Rainshadow
  • Ragnar Axelsson: Last Days of the Arctic
  • Australian photography: Carolyn Young
  • UK Photography: Marc Wilson's The Last Stand
  • Joshua Dudley Greer's American landscape
  • UK Photography: Donovan Wylie
  • Jane Fulton Alt: Photography and Fire
  • American Photography: Russell Joslin
  • American Photography: Leigh Ledare
  • American photography: Todd Hido
  • US photography: Jeff Rich's Watershed
  • Lightwork
  • UK Photography: Simon Robert's Pierdom
  • American photography: Joni Sternbach
  • Richard Avedon in Australia
  • Australian photography: John Austin's Forest Threnody
  • US photography: Michael Light
  • US photography: David Schalliol
  • UK photography: Michael Jackson
  • Nadia Sablin: Two Sisters
  • South Australian photography: Grant Hancock
  • BIFB13: Jackie Ranken's Kitchen Stories
  • BIFB13: Claudia Faehrenkemper
  • BIFB13: Adelaide Photographic Artists exhibition
  • remembering John Cato
  • Art Gallery of SA: Heartland--Ian North
  • Facebook + photography
  • Head Off Landscape Prize: Natasha Murray
  • Murray Fredericks: Greenland project
  • Jan Kempenaers' Spomeniks
  • the "danse macabre"
  • wetplate photography: Denis Roussel
  • British photography: Mary McIntyre
  • South Australian photography: Ernest Gall
  • Nicholas Nixon: Boston views
  • British photography: Alex Boyd
  • Vanessa Winship: she dances on jackson
  • after Flickr?
  • SA photography: Amy Pfitzner
  • Recent Auckland Photography
  • Freud, photography, the uncanny
  • photography beyond mimesis
  • Australian Photography: Judith Crispin
  • American Photography: George N Barnard
  • Jean-Michel Basquiat
  • American photography: Mitch Epstein
  • Auckland Festival of Photography: Neil Pardington
  • revisiting Surrealism
  • Richard Barnes: rephotographing the past
  • finding futureland
  • Spectacular City – Photographing the Future
  • Rosetta Head looking from King's Beach
  • the Holtermann collection
  • Julia Solis: Stages of Decay
  • Australian architectural photography: Tim Griffith
  • Edward Weston at Point Lobos
  • Juergen Teller
  • Louise Joséphine Bourgeois: sculptures
  • lost Brisbane
  • on early modernist abstraction
  • UK photography: Paul Kenny
  • The Photographic Image in Digital Culture
  • Peter MacDonald
  • Adobe's gouging of consumers
  • Time Machine
  • NZ photography: Fiona Pardington
  • Australian photography: David Flanagan
  • surviving disruptive digital innovation
  • public pedagogy
  • Australian photography: D. Darian Smith
  • on contemporary art in a digital world
  • American photography: Jan Groover
  • NZ Photography: Doc Ross
  • Jane Campion: In the Cut
  • Frank Gohlke: Accommodating Nature
  • happy holidays
  • The end of photography
  • Hubble Space Telescope
  • The Kodak Salon, Melbourne
  • Leunig on Leunig
  • urban landscape exhibition
  • Kate Breakey
  • thoughtfactory's Gallery
  • nocturnal photography: Effie Paleologou
  • Czech photography: Jitka Hanzlová
  • Tumblr
  • the frame
  • Adelaide: Place 2012
  • Bowness Photography Prize 2012
  • Dusan Marek: surrealism in Australia
  • Jeffrey Smart: Kapunda Mines
  • Jeffrey Smart: Adelaide paintings #2
  • Jeffrey Smart: Adelaide paintings
  • Emil Otto Hoppé
  • scarred by a church
  • German photography: Thomas Birke
  • Indian photography: Dayanita Singh
  • South West Light: ND5 group
  • Old and in the Way (Live) July 23, 1973
  • Mark Rothko: black + gray paintings
  • iPhone ‘the snapshot camera of today’
  • Mandy Martin: industrial paintings
  • Abstraction in photography
  • James Welling: Fluid Dynamics
  • Life in Your Hands: art from solastalgia
  • Gustave Caillebott: painting and photography
  • Jeffrey Smart: paintings 1940-2011
  • Galleries: The Photography Room
  • New Colour Photography in Australia
  • America in View: Landscape Photography 1865 to Now
  • American photography: Jonathan Smith
  • American photography: James Welling
  • Brighton Photo Biennial: urban exploration
  • The 'Innocence of Muslims'
  • From Flâneur to Driveur
  • Ed Douglas-- Family Tree: An Exploration
  • Look: Contemporary Australian Photography since 1980
  • the indexical nature of photography
  • Adelaide + high rise development
  • photographic realism
  • Australian photography: Andrew Chapman
  • Refractions: Contemporary urban photography
  • reviving Polaroid 8x10
  • iPhoneography
  • imperfect photography
  • post-photography?
  • Hijacked III: Michael Ziebarth
  • Australian photography: Debra Phillips
  • conceptual photography
  • Robert Hughes: RIP
  • modernism + the blur
  • Australian photography: Steven Tester
  • SALA: Mark Kimber
  • Australian photography: Bruno Bernini
  • photography: “indexical” and “iconic”
  • SALA 2012
  • Ampersand magazine: Capture the Fade
  • faux-vintage mobile photography
  • Australian photography: Katrina Koenning
  • the impact of digital on photography
  • London: paying the price
  • Auckland Festival of Photography: Mary Macpherson
  • Colberg on digital photography
  • Lauren Marsolier: transition
  • Carl De Keyzer: Moments Before the Flood
  • Rena Effendi: Chernobyl, Still Life In The Zone
  • English photography: Guy Sargent
  • graphic political imagery
  • photographers as artist researchers
  • Australian postmodernism
  • David Stephenson: cities at night
  • Leica Oskar Barnack Award
  • Head On Photographic festival: Angie Turnbull
  • Joerg Colberg: photography's existential crisis
  • Lost Places: Sarah Schönfeld
  • The 1970's provincialism problem
  • Belgium's summer of photography: Alnis Stakle
  • Auckland Festival of Photography
  • Fairport Convention: Unhalfbricking
  • political cartoons: David Rowe
  • Stephen Spurling 111: Mt Lyell open cut
  • on Flickr
  • Australian photography: Stephen Spurling 111
  • researching John Watt Beattie
  • a surrealist conversation
  • industrial landscapes
  • motherhood, sexuality, media
  • Saatchi Gallery: Out of Focus: Photography
  • iPad+photography
  • links
  • Gordon Bennett: Eddie Mabo, 1996
  • Paul Foelsche: aboriginal portraits
  • Kodak: In memoriam
  • Head On photographic festival
  • 'I Spy' photography
  • photobooks
  • Paul Foelsche: landscape studies
  • Martha Rosler: photography + the crisis of the real
  • Ed Ruscha: photography + conceptual art
  • Captain Sweet: views
  • Frank Hurley: Adelaide
  • Levon Helm: Only Halfway Home
  • photography: gear acquisition syndrome
  • looking for Atget in Paris
  • the last Grateful Dead show
  • Adelaide Festival: Visual Arts
  • Robert Polidori: Zones of Exclusion
  • caricature
  • Philip Wolfhagen: northern Midland landscapes
  • Joseph Lycett: saltpan, Tunbridge
  • rephotography
  • Frank Hurley: Queenstown landscapes
  • John Watt Beattie: Mt Lyell mine, Queenstown
  • Picturing Tasmanian landscapes
  • weekend cartoon
  • Bea Maddock: Terra Spiritus ... with a darker shade of pale (1993-98)
  • The Glover Prize 2012
  • Launceston, Tasmania: Hits and Memories
  • Francesca Woodman
  • exploring conceptual documentary
  • Thomas Struth: multiple layers of historical traces
  • Charles Bayliss: Sydney Harbour
  • Donna Brett: post-war German photography
  • photography and abstraction
  • mobile technologies + place
  • by passing the art gallery
  • Jeff Wall: Steve's Farm
  • Jeff Wall: The Destroyed Room
  • Jean-François Chevrier: photography in the 1980s
  • Japanese photography: Shintaro Sato
  • Joni Mitchell: "Night of the Iguana"
  • English photography: Mark Edwards
  • Helen Ennis on Australian landscape photography
  • Dave Rowe: political cartoonist
  • Mike Key: Queenstown, Tasmania
  • obesity: the surgical option
  • Thomas Demand: modernist
  • Bill Leak's deception
  • Adelaide modernism
  • Dutkiewicz x 3 at Willunga
  • digital snaps
  • David Hockney: recent landscapes
  • Captain Beefheart: Ice Cream for Crow
  • a Kodak culture
  • Australian colonial photographers: Francis J. Gillen
  • closing down the internet?
  • Adelaide photography: Greg Ackland
  • WA photography: Kevin Ballantine
  • Australian photography: Ed Douglas
  • Helen Ennis on belonging + connection to the land
  • an ethical photography?
  • Australian photography: John Austin
  • Film and digital technologies
  • Lee Friedlander's trees
  • a post-theoretical viewpoint
  • Journal for Artistic Research
  • Grateful Dead Movie---Part 1
  • Ennis, Photography + Australia, realism
  • American photography: Art Sinsabaugh
  • James Cant
  • engaging with the landscape after postmodernism
  • Gerhard Richter: townscapes
  • attachment to landscape
  • Helen Ennis: Photography and Australia
  • American photography: Michael Wolf
  • American Photography: Nan Goldin
  • 'Wake in Fright'
  • Shutterclank!
  • photographic nostalgia
  • Australian documentary photography
  • Bill Cunningham: street fashion
  • Paris Photo 2011
  • Bill Henson in Adelaide
  • Soho Photo Gallery
  • Olegas Truchanas
  • Adelaide Street Art: Peter Drews + Adelaide's Forgotten Outlaws
  • NZ photography: Greg Semu
  • Victor Harbor book
  • Joyce Campbell: daguerreotypes at Te Reinga
  • UNSENSORED11
  • NZ photography: Joyce Campbell
  • at FotoFreo12
  • Grateful Dead: Franklin's Tower 1977-05-09
  • art institution: catching up
  • wilderness photography in the Blue Mountains
  • Monash Gallery of Art
  • Lisette Model
  • Australian photography: Mark Strizic
  • Angus O’Callaghan: yesterday's Melbourne
  • postwar Melbourne photography
  • in Melbourne on a photo shoot
  • Photography Festival: Ways of Looking
  • Docklands: a wasteland?
  • British photography: Dougie Wallace
  • Foam Festival
  • Melbourne's Docklands
  • Walker Evans - Subway Photographs
  • Le Mois de la Photo à Montréal
  • Steve Jobs: a tribute
  • reCollections: hybridity, Aboriginal art
  • modernism in Australia
  • ANZANG Nature Photography
  • history + photography
  • a ‘regional Australian culture’
  • 9/11: a decade on
  • being gazed at
  • British Photography: John Blakemore
  • Facebook
  • NZ Photography: Richard Maloney
  • Melbourne: development
  • Australian photography: Les Horvat
  • on the road
  • Australian photography: Katrin Koenning
  • Paolo Ventura
  • Jane Campion: Portrait of a Lady
  • timemachine: an Australian foto magazine
  • American photography: Jerome Liebling
  • Australian photography: Sally McInerney
  • Wolfgang Sievers + architectural photography
  • the image as data in flux
  • Lee Friedlander: spatial compression
  • photography: a language or discipline?
  • Harold E. "Doc" Edgerton
  • Andrew Bush: Drive
  • Australian photography: Bronek Kozka
  • Australian photography: Rebecca Dagnall
  • junk food: Super Size Me
  • Australian Photography: two books
  • Melbourne Silver Mine Inc.
  • Australian photography: Claire Martin
  • Ballarat International Foto Biennale 2011: Osamu James Nakagawa
  • Kodak Salon
  • light posting
  • Ballarat International Foto Biennale 2011: John Gollings
  • Ballarat International Foto Biennale 2011: Roger Donaldson
  • Ballarat International Foto Biennale 2011: Judith Crispin
  • copycat
  • Ballarat International Foto Biennale 2011: Lisa M Robinson
  • photography, seriality, archive
  • conceptual documentary
  • Ballarat International Foto Biennale 2011: Tony Whincup
  • the culture of large format photography
  • using images on the internet
  • Landscape Stories: The Lure of the Sea
  • The Bechers + photographic grammar
  • American photography: Mike Rebholz
  • European Photography: Jan Parik
  • redesigning cities: place making
  • Lucian Freud
  • American Photography: Janelle Lynch
  • Junk food advertising
  • American Photography: William Clift
  • American Photography: William Rugen
  • German Photography: Frank Thiel
  • European Photography
  • Murdoch on page 3
  • Nine Inch Nails: And All That Could Have Been
  • Rencontres d'Arles
  • Facing Change
  • change in America
  • Hungarian Museum of Photography
  • Hungarian photography
  • Cy Twombly: extending abstract expressionism
  • German photography: Thomas Struth
  • junk food + overeating
  • Hiroshima: Ground Zero 1945
  • friday humour
  • urban ugliness
  • Vivian Maier: colour work
  • Australian photography: Frank Hurley
  • Gillian Welch: Hickory Wind
  • Australia's concentration camps
  • Richard Misrach: Destroy this Memory
  • American photography: Rosalind Solomon
  • photography encultured
  • Apple's new HQ
  • Friday humour
  • English photography: Ben Roberts
  • the poetics of place
  • Kazuna Taguchi: blurring the boundaries
  • Boris Mikhailov: Case History
  • Swedish Photography: Struan Gray
  • American photography: Clay Lipsky
  • black + white photography today
  • American photography: Mitch Epstein
  • romanticism, fragment, ruin
  • American Photography: Richard Benson
  • Hijacked 2: Australia/Germany
  • architecture + place
  • photography in its expanded sense
  • the photographic and the filmic image
  • photography as a mould of time
  • Getty Images
  • Victor Harbor Council + Rambler
  • American photography: Taryn Simon
  • Patricia Piccinini: between animal/human
  • Australian Photography: Tim Handfield
  • Seven Central Australian Photographers
  • German photographic discourse
  • the phantasmagoria of modernity
  • the networked snapshot
  • American photography: Alex Webb
  • American photography: Ira Cohen
  • art photography: assumptions
  • deskilling in art
  • Chicago Institute of Design: formalism
  • American photography: Charles Swedlund
  • renewing Adelaide: unpopular culture
  • Tim Hetherington: In Memoriam
  • Exposed: Climate Change in Britain’s Backyard 2007
  • photography's uniqueness
  • British landscape photography: Joe Cornish
  • Australian photography: Andrew Stark
  • a digital solution
  • Sasha Terebenin: abstraction
  • Frederick H. Evans: architectural photography
  • black humour
  • Wim Wenders: photography
  • Les Walkling: Pilbara
  • Mark Kimber: The Cloud Chamber
  • Phil Underdown: nature + ideology
  • Foam + photography's future
  • Henry Dixon
  • Charles Marville
  • interpreting Eugene Atget
  • Florentine tree sit
  • a visual rhetoric
  • in Queenstown
  • Julian Cooper at LARQ
  • Osmosis at LARQ
  • Mining heritage in Tasmania
  • French Photography: Yannick Demmerle
  • Tasmania: Hobart
  • Tasmania bound
  • Architectural photography: a note
  • the International (Polaroid) Collection
  • scanning negs
  • Lumen
  • Japanese photogrpahy: Kou Igarashi
  • Japanese photography: Naoki Ishikawa
  • Leunig's wit
  • Tasmanian photographers: David Stephenson
  • aerial photography: Yann Arthus-Bertrand
  • NSW Police mug shots
  • forces of nature
  • Harry Callahan: colour
  • Japan: devastation
  • public phone booths
  • charting the cultural turn
  • Tasmanian trip
  • Alex Frayne: Adelaide Noir
  • On Shadow
  • regulating access to public spaces
  • Zaha Hadid: Guangzhou Opera house
  • creative industries
  • photography after photography
  • photography + higher education
  • interpreting Dylan
  • Already Home
  • NGA: street art
  • architecture, emptiness, photography
  • American photography: An-My Lê
  • CH CH: another earthquake
  • British Photography: Herbert Ponting
  • in Melbourne: Bolte Bridge
  • German Photography: Clemens Bechmann
  • New Zealand Photography: Ben Cauchi
  • New Zealand photography: Derek Henderson
  • German Photography: Margret Hoppe
  • New weblog: poodlewalks
  • the photographer's darkroom
  • shit happens
  • a small step
  • slow photography
  • just too slow
  • British Photographer: Tim Rudman
  • Cyclone Yasi
  • conceptual art and its aftermath
  • the democratic interpretation of images
  • on location
  • Dutch photography: Frank van der Salm
  • Pentti Sammallahti
  • German Photography: Kai Wiedenhöfer
  • pathos
  • iPhone photography
  • German Photography: Axel Hütte
  • German photography: Roland Fischer
  • James Cochran: Adelaide street scenes
  • waiting, waiting
  • photos of old London
  • American photography: Ezra Stoller
  • American Photography: J. Henry Fair
  • Brisbane floods
  • Cambo 5x7: problems
  • British Photography: Fay Godwin
  • photographic culture: techno-spasm and creative freedom
  • Anselm Kiefer
  • British photography: Frank Watson
  • when nudity = pornography
  • surrealism + photography
  • Frederick Sommer: Arizona Landscape
  • Yves Marchand + Romain Meffre
  • creating a people-friendly city
  • modernism
  • Kodachrome: 1935-2010
  • cricket tragics
  • Joseph Cornell: multimedia
  • photography + the archive
  • Xmas
  • Zappa and Beefheart
  • poor Flickr
  • aesthetics: a note
  • Captain Beefheart: goodbye
  • American photography: Jo Ann Walters
  • British photography: Sarah Amy Smith
  • Frank Gehry: Dr Chau Chak Wing Building
  • interpreting images
  • photography and the end
  • British photography: Andy Sewell
  • The urban renaissance
  • Tom Waits: Bone Machine
  • borderlands
  • a fraying edge: Alexander Gronsky
  • British Photography: Ian Teh
  • photography related blogs
  • finally, some movement
  • Tom Waits: Swordfishtrombones
  • British photography: Sam Baguley
  • NZ Photography: Fiona Pardington
  • New Zealand Photography: Ava Seymour
  • Swedish photography: Jan Tove
  • Unnerved: The New Zealand Project
  • in Melbourne
  • Hart's Mill
  • Deep Sleep: Fabio Barile
  • Piece of Cake
  • the alleyway
  • British Photography: Jem Southam
  • emerging
  • British photography: Eric de Maré
  • New Zealand photography: Eva Polak
  • American photography: Charles Grogg
  • my beast of burden
  • American photography: Jan Groover
  • American photography: Steven B. Smith
  • the camera as sketch pad
  • I want to buy a rangefinder
  • Annie Leibovitz: A Photographer's Life 1990–2005
  • American photography: Anna Collette
  • Renew Adelaide
  • The Hijacked series
  • Richard Misrach + the colour photo movement
  • too difficult
  • German photography: Michael Schmidt revisited
  • Visions and Images: Joel Meyerowitz, 1981
  • black rock study
  • US landscape photography
  • German photography: Michael Wolf
  • American photography: Zoe Strauss
  • Nadav Kander: I wish i were near you
  • the American pastoral
  • David Maisel
  • the photographer at work
  • Victor Harbor: national broadband network
  • European photography: Dana Popa
  • a highway of death
  • studio photography
  • Australian Photography: Rebecca Shanahan
  • DIY photography
  • Australian photography: Glenn Sloggett
  • Newton on recent Australian photography
  • Square Magazine
  • 'it is happening' at Port Adelaide
  • Block Projects: David Ralph
  • Thomas Joshua Cooper
  • the Antipodes: place or relation
  • transgressing conservative culture critique
  • Lee Friedlander: America by Car
  • Francois Robert's bones
  • Art + Soul: Ricky Maynard
  • harrassing photographers
  • Adelaide photographers: John Hodgson
  • Australian Photography: Richard White
  • photographic character
  • Doug Moran Photographic Prize
  • dam
  • National Gallery of Australia: indigenous art
  • the desire for technological perfection
  • Bowness Photography Prize 2010
  • art criticism
  • water in Lake Alexandrina
  • a sour note
  • bitten off more than I can chew
  • burnt rubbish bin
  • a voice from the past
  • Why Photography Matters
  • Photography now
  • 'I was lovin' it'
  • rubbish
  • Wilderness: New South Wales Art Gallery
  • The Ecologies Project
  • Stormy Weather: Contemporary Landscape Photography
  • Kevin O’Faircheallaigh's jeremiad against photography
  • Paris Photo 2010: Matt Wilson
  • 'A Small History of Photography': Walter Benjamin
  • Leunig: crossroads
  • Christchurch--earthquake
  • David Lynch: Wild at Heart
  • Anish Kapoor + formlessness
  • The Ipswich House: Heritage house portraits
  • Edward Burtynsky: Oil Spill
  • the (re)turn to large format photography
  • Australian photography: Ronda Wallis
  • Beach Boys: Holland
  • urban waste
  • Exposed: Voyeurism, Surveillance and the Camera
  • space + place
  • Carolyn Drake: Hasankeyf
  • unable to post
  • returning to Victor Harbor
  • photography in itself?
  • Alejandro Cartagena: Suburbia Mexicana
  • image + text
  • at Victor Harbor
  • finally....
  • Victor Burgin: photos as signs
  • Kate Ellis: delivering what for Adelaide?
  • digital photography
  • Victor Burgin: then + now re photography
  • art + positivism
  • Kudditji Kngwarreye: My Country
  • bringing history into the present
  • Australian Photography: Michael Riley
  • personal: computers etc
  • Camilo José Vergara: urban decay
  • industrial ruins + the gothic
  • Australian photographers: Lauren Hewitt
  • stumbling upon Heidi Romano
  • pretended urban localism?
  • ruined buildings
  • the cultural landscape
  • landscape + memory
  • Farmers market
  • POOL: the collaborative projects
  • going pro in a high tech world
  • craft + photography
  • Stuart Franklin: landscapes in flux
  • in the studio
  • Geoffrey Gurrumul Yunupingu: Wiyathul
  • flower study 1
  • a personal moment
  • a creeping cultural conservatism
  • Evangeline: two versions
  • land use
  • Walker Evans: Polaroid work
  • NEA Photography Surveys of the 1970s
  • Joe Deal: The Fault Zone
  • Leon Levinstein: street photography
  • Laurie Anderson: Homeland
  • Fotofest 2010: Todd Hido
  • Clay Shirky on weblogs
  • photography + tourism
  • Eugène Atget: photography of place
  • documentary photography: a note
  • Photography and critical realism
  • a strawberry stall
  • Contemporary Strategies in Documentary Photography
  • Massimo Vitali: landscape with figures
  • dam tech stuff
  • Carolyn Cole: pictures of BP oil spill
  • Bauhaus + photography
  • tourism
  • Australian Photography: Stephen Best
  • DIY photo publishing
  • Marzena Wasikowska: Forensic Landscapes
  • The Wire: Season 5
  • Stanley Greenberg: architectural photography
  • Sally Mann: Deep South
  • Shizuka Yokomizo: urban loneliness
  • New York Photo Festival: 3D coverage
  • when the sun goes down
  • images
  • Andrew Moore: Detroit
  • an image culture
  • The end of photography as we know it?
  • Romanticism: a note
  • Christopher Thomas: evoking Atget
  • Olaf Otto Becker: Above Zero
  • Helen Levitt: colour photography
  • digital technology + photography
  • CIBO Galleria
  • The Band: It makes no difference
  • political rhetoric
  • Bill Henson 2010
  • Stephen Shore: American Surfaces
  • a touch of humour
  • Simon Roberts: We English
  • photographs as objects
  • to photograph is to frame
  • photography e-book
  • the post photographic
  • Mad Men
  • Australian photography: Simon Obarzanek
  • Melissa Fleming: night seascapes
  • more rubbish
  • producing a book
  • a personal note
  • junk
  • iPad + puss
  • Nicholas Nixon: The Brown sisters
  • the big plunge
  • breaking with the art tradition
  • working in a series: mise-en-abyme
  • White Stripes: Forever For Her (Is Over For Me)
  • the photographic inscription of contingency
  • allegory
  • photographic allegories
  • Hong Kong rooftops
  • Wynn Bullock
  • Paul Graham on artist photographers
  • NZ Photography: Mary McPherson
  • photography: denotation and connotation
  • You cannot live on exposure
  • Richard Mosse
  • Mars: Proctor Crater + other images
  • possible digital futures
  • retro creatives
  • a photographic education
  • Salt: Murray Fredericks
  • photography+ creative industries
  • in Adelaide: state election
  • photographic archives
  • Jonathan Tagg on photographies
  • black humour
  • Dereliction and decline
  • returning to the old
  • cloud culture
  • Tasmanian landscape: David Keeling
  • Tasmania: The Glover Prize
  • Fringing
  • SMiLE: Windchimes
  • Grateful Dead: Deep Elem Blues
  • Tasmania: logging and wilderness
  • in Tasmania: Recherche Bay
  • in Tasmania: Cradle Mountain
  • in Tasmania: Tunbridge
  • in Tasmania: wilderness
  • in Tasmania: exploring Queenstown
  • in Tasmania: Strahan
  • at Petrel Cove
  • photography + history
  • NZ photography: Andrew Ross
  • a portfolio of my images
  • Michael Fried on Jeff Wall
  • Barbara C Mensch + old New York
  • postmodernism + sublime
  • New Zealand Photography: Tony Bridge
  • NZ photography: John O'Malley
  • celebrating Australia Day
  • NZ Photographers: Doc Ross
  • the digital photo: a note
  • a beach mosaic as a grid
  • Tasmania: photography + broadband
  • Festival season in Adelaide
  • photography's user manual
  • John Hillcoat + Nick Cave: The Proposition
  • Port Elliot: coastal ruin
  • photography's language of colour
  • at Victor Harbor
  • racial discrimination in Australia
  • William Eggleston: colourist
  • photography at the beach
  • Australian Photographers: Jane Burton
  • Richard Misrach: On the Beach
  • Sontag + photography
  • cameras, illusion, reality
  • William Klein: style
  • Learning From Las Vegas
  • Modernist abstraction: C Chiarenza
  • Happy New Year
  • Xmas Day: Granite Island
  • Murray Fredericks: Lake Eyre
  • Gordon Undy
  • Saul Leiter: colour photography
  • Xmas Day: white rose
  • Fotofreo 2010: Eugene Richards
  • Copenhagen: a fiasco
  • Sarah Jones: photography + psychoanalysis
  • The Kinks: Come Dancing
  • old + new
  • Art and Copenhagen
  • Conroy's internet censorship
  • Annika von Hausswolff + post modern photography
  • animated images
  • Photography: memories and history
  • photobooks: possibilities + future
  • photography and climate change #2
  • photography and climate change
  • Situationists + the problem of the city
  • Encounter Bay: the old slowly disappears
  • a climate warming graph
  • tablets are coming
  • the aesthetic image
  • urban renewal in Adelaide: Riverside West
  • Flashback : Little Feat
  • what role for art?
  • where's the water?
  • doing photography everyday?
  • Samson and Delilah: a bare life
  • Tod Papageorge: poetic documents
  • Fotofreo: Carrie Levy
  • the world of new media
  • Simon Harsent: icebergs
  • Uta Barth: making pictures of and about other pictures
  • obscurity in photography
  • 'the truth in painting'
  • Leunig--boat people
  • heatwave in Adelaide
  • a political hullaboo
  • a retro style
  • Bangarra Dance Company Fire: A Retrospective
  • Nadav Kander: Yangtze, From East to West
  • Star of Greece
  • Abu Dhabi: architecture
  • it's odd, isn't it
  • Art of Nature
  • New Topographics restaged in the US
  • Hans Aarsmann: urban nature
  • a revitalised and rejuvenated Adelaide CBD
  • Ed Ruscha + everyday objects
  • Edmund Capon: the end of art
  • Ballarat International Foto Biennale: Drex Brooks
  • from yesteryear
  • looking backwards
  • Vivian Maier: street photography in Chicago
  • shifting from Microsoft to Apple
  • disliking photography
  • photography: a note
  • the turn to beauty
  • The Jackson Jive
  • revival of aesthetics
  • Renew Newcastle project
  • Ballarat International Foto Biennale: Tim Griffith
  • The Wire: Season 2
  • Ballarat International Foto Biennale: Tim Burder
  • back from Ballarat
  • Ballarat International Foto Biennale: alternative photographic processes
  • nailing the photographer
  • Julius Shulman: modernist architectural photographer
  • free content
  • Roman Polanski + sexual politics
  • beach erosion, climate change, Krugman
  • about water and dustbowls
  • Mise-en-abyme
  • Dust storm in Broken Hill
  • Ballarat Foto Biennale: Alex Syndikas
  • digital photographic books
  • Rencontres d'Arles: Avedon
  • The Adelaide Electric Supply Co Ltd
  • Benjamin Norman: Wall Street
  • Ballarat International Foto Biennale: Gary Steer
  • Ballarat Foto Biennale (BIFB): Wayne Quilliam + MAP
  • photography and place
  • Encounter Studio
  • graffiti in a digital world
  • Victor Harbor: foreshore erosion
  • Space: butterfly-shaped nebula
  • Leica M9 + others
  • At Victor Harbor
  • beyond positive thinking: carnival
  • Led Zeppelin: The Song Remains the Same
  • Adelaide photographers: Rossanne Pellegrino
  • Leunig: graffiti + nostalgia
  • Dean Sewell + Tamara Dean on photography
  • NZ photography: Maurice Lye
  • Dylan: Positively 4th Street
  • The Wire: Season 1
  • the tourist gaze
  • Adelaide: an innovation city?
  • new visual grammars?
  • a reflective moment #1
  • alleyway life
  • sign of the times
  • Romanticism: mirror versus lamp
  • from grid to network
  • Russian Constructivism
  • a 'remix' culture
  • Michael Keena: Ratcliffe Power Station
  • Rolling Stones: Foret Nationale Concert, 1973
  • Sante Fe: Steve Fitch
  • Mutton Cove Conservation Reserve
  • magic in the plastic
  • Music: then + now
  • economy of appearances
  • the flâneur
  • Hiroshi Sugimoto, time, Deleuze
  • Thierry Urbain
  • narrative + pictures
  • Contemporary Aesthetics
  • career shift
  • photographs as propositions
  • photography and rhetoric
  • photography + semiotics
  • Waterhouse Prize 2009
  • Broken Hill's "brownfields"
  • making photography central
  • Light Journeys
  • New Zealand Photography: Haruhiko Sameshima
  • Emily Kame Kngwarreye: Alatyite Dreaming
  • the Big Empty
  • Grateful Dead: Fire on the Mountain
  • sorry old world
  • River Murray: some flows in Mildura
  • Maria Levitsky: architectural ruins
  • photographic trip to Menindee Lakes
  • Brian Eno: By this River
  • who cares?
  • everyday life #2
  • everyday life #1
  • photo books: self-publishing
  • River Murray wake
  • Independent photography
  • Ian Fairweather
  • depression
  • surveillance in the city
  • Lauren E. Simonutti: surrealism
  • wilderness photography: its flaws
  • Scarfe on Afghanistan
  • levelling the photography playing field
  • Lung Liu: Salton sea
  • Lake Eyre
  • Adelaide: new urban form
  • beyond growth
  • down at Victor Harbor
  • Dennis Wilson: Pacific Ocean Blue
  • photographic artists
  • Ferit Kuyas: Chongqing
  • aesthetics of catastrophe
  • photographic histories
  • Michael Jackson: Billie Jean
  • Michael Jackson: media star
  • Murray-Darling Basin: claypan
  • Richard + Linda Thompson
  • Leunig: homeless
  • Seacliff Beach
  • battles around the image
  • Murray-Darling Basin: drying
  • Leonard Cohen
  • photography's identity crisis?
  • Lay Flat and the crisis of experience
  • Per Kirkeby + neo-expresionism
  • Cultural conservatism + art
  • Weekend pet pics: Agtet
  • Robert Heinecken
  • John Wood: beyond pure/modernist photography
  • my life
  • making strange
  • Pink Floyd: Goodbye Blue Sky
  • remembering
  • Pink Floyd: The Wall
  • Venice Biennale
  • intensity
  • censorship
  • Blair French: about photography
  • dialectical images?
  • Pat Brassington
  • once, there was water
  • Space: Trifid Nebula
  • German Photography: Michael Schmidt
  • Paul Graham
  • Joni Mitchell: The Magdalene Laundries
  • Stills Gallery: Thirteen, Robyn Stacey
  • photographic histories
  • poisonous tv
  • photography and beauty
  • photography blogging
  • tree + beach shack
  • Edward Burtynsky: ruins
  • New Topographics in Australia?
  • Naoya Hatakeyama
  • salt lake, near Lake Alexandrina
  • Dirt Game
  • Yoko Ono + photography
  • The Who: Who are you
  • The Gruen Transfer's anti-discrimination ad
  • haphazart magazine
  • no creative economy
  • Kozloff on photographic criticism
  • Port Adelaide project
  • Wolf Creek
  • beauty: a note
  • thinking images?
  • rephotographing Agtet
  • Dylan: Like a Rolling Stone, 1966
  • beyond Flickr
  • Canterbury plains
  • Alfotonet: One City; three Views
  • Velvet Underground: Loaded
  • digital photography
  • red caravan
  • Influenza A (H1N1)
  • New Zealand Photography: Anne Shelton
  • New Zealand Photography: Peter Peryer
  • Kaikoura coastline
  • Anzac Day: mythology
  • rusty, decay
  • photography, history
  • memories of....
  • The Band: Opheleia
  • photography, place, visual culture
  • New Zealand Photography: Theo Schoon
  • Buller River #2
  • Cohen Brothers: No country for old men
  • NZ Photography: Wayne Barrar
  • in a warmed up world....
  • critical encounters
  • tourism
  • history and memory
  • New Zealand Photography: Lawrence Aberhart
  • New Zealand photography: Mark Adams
  • David Bowie - Warszawa
  • NZ Photography: Murray Hedwig
  • New Zealand Photography: Robin Morrison
  • NZ realism/regionalism
  • Punakaiki River, Paparoa National Park
  • Pancake Rocks, Paparoa National Park
  • international politics
  • rock, Castle Hill
  • urban living
  • New Zealand: West Coast
  • Bonds
  • Sunday humor
  • The Who: nostalgia
  • Street art: The ABC on
  • viral life
  • street politics
  • in Melbourne
  • Kruspit + post art
  • Talking Heads: More Songs About Buildings and Food
  • Anselm Kiefer
  • German photography: Karin Apollonia Mueller
  • The New Media
  • Timothy O'Sullivan + American modernism
  • corporate modernism
  • Ed Ruscha: photography
  • Eric Tabuchi: abandoned Gasoline stations
  • Captain Beefheart: Safe as Milk
  • modernism + contemporary
  • Lewis Baltz: the question of the medium
  • Grateful Dead: Europe 72
  • Iain Sinclair + psychogeography
  • photography + the global financial crisis
  • photography and abstraction
  • photography and presence
  • Archibald Prize 2009: finalists
  • maybe
  • Christoph Morlinghaus
  • bringing nature into history
  • Is Adelaide architecture boring
  • Cape Willoughby
  • racist cartoons
  • The Best American Comics 2007
  • Polanoid in Adelaide
  • space: Messier 101 galaxy
  • visual representation
  • Larsen B iceshelf
  • Mathew Montieth: Czech Eden
  • changes
  • Hosang Park: A square
  • bush fires + climate change
  • megafires in Victoria
  • ladder + trolley
  • heat wave passes
  • images of violence
  • graffiti + broken window
  • world as picture
  • after the pictorial turn
  • altfotonet: first exhibition/issue
  • recession fuelled art
  • Ralph Hotere
  • Colin McCahon: landscapes
  • Mondrian: grids, energy flows, jazz
  • heatwave
  • modernist photography's narrative
  • Grosz, Deleuze, indigenous art
  • modern times
  • Bertolucci: --1900
  • animated pictures
  • Bon Iver
  • Sugimoto Hiroshi & time
  • a new day dawning
  • Seeger + Springsteen
  • Thomas Demand's constructions
  • beholding
  • history's pages
  • David Octavius Hill + Robert Adamson
  • Mars: Elysium Planitia
  • from cartoon to the postmodern
  • water: old attitudes
  • Julie Blackmon: family life
  • Dieter Appelt: performance, photography
  • Victor Burgin interviewed
  • Victor Burgin
  • subverting modernism
  • altfotonet.org
  • eco-postmodernism in Adelaide?
  • punk + photography
  • Stephen Shore: The Nature of Photographs
  • Friedrich Sommer as a surrealist
  • Bruce Springsteen: Storytellers
  • Plateform magazine
  • poesis: a note
  • an aesthetics of social conduct
  • beauty, photography
  • consumerism
  • Graham Miller: Suburban Splendour
  • Xmas and all that
  • limits of photography
  • Merry Xmas
  • Leunig on technology
  • Leonard Cohen's Hallelujah
  • the photograph as a physical object
  • photography: two faces
  • Landsat: Death Valley
  • rocks, photography and surrealism
  • Australian Photojournalist
  • Words without Pictures
  • referencing graffiti
  • Torrens Island Power Station
  • political courage
  • photography and abstraction
  • wheels, cars, cities
  • the temporality of photography
  • picture anxiety
  • towards e-books
  • urbanity in Melbourne
  • Scorsese's Gangs of New York
  • debris, Yarra River
  • Melbourne: Doyle, urban life, waste
  • Mars: glaciers?
  • Melbourne airport 7am
  • Rosalie Gascoigne
  • Graffiti and the Digital Experience
  • digging around the internet
  • Trent Parke: The Christmas Tree Bucket
  • Alec Soth: The Last Days of W
  • Douglas Sirk: Written on the Wind
  • Andreas Gursky in Melbourne
  • doll + roses
  • U2: Rattle and Hum
  • Saturn:---aurora
  • Port River
  • the abyss
  • Crary and regimes of visuality
  • in reason's shadow
  • Lucinda Williams: 'Rarity'
  • urban reinvention
  • German photography: Rut Blees Luxemberg
  • Beyond Reasonable Drought
  • Jennifer Joseph
  • Martin Parr on Flickr /amateur photography
  • in the studio
  • Photogenic Papers
  • Emmylou Harris: All I Intended to Be
  • Leunig
  • beach shack, Aldinga
  • German photography: Gudrun Kemsa
  • space: aesthetics and astronomy
  • Polaroid---a long goodbye?
  • Australian architecture: avant garde
  • stumbling upon...hauntology
  • reterritorialisation
  • disorientated
  • forest politics, Tasmanian style
  • a Baroque sensibility
  • representing reality
  • dazzling blackholes
  • Kingston, Canberra
  • the rulers of the universe
  • Canberra modernism
  • rose, Gosse St, Kingston
  • from capitalism to socialism
  • the end is nigh
  • MaxMara
  • Adelaide: aerial view
  • Leunig: gloom
  • a text to a picture
  • floor of lus Chasma, Mars
  • winter in Adelaide
  • red cliffs on Mars
  • State Library of NSW on Flickr
  • Henson as a paedophile
  • Kudditji Kngwarreye
  • modernism in Australia
  • metroblossom
  • Josef Koudelka: romantic artist
  • Cleaning Graffiti
  • dying camelia
  • US blues
  • Dusty Binary Star
  • A Modernist office revisited
  • camelias in Kingston
  • Australian rock art: Arnheim Land
  • the market as a fun fair
  • Joel Sternfeld: Walking the Line
  • Canberra: a smart city?
  • Sculpture and Cactus
  • Tasmanian Museum + Art Gallery: redevelopment
  • space photography
  • in Canberra, Melbourne calling
  • back in Canberra
  • classifying blogs
  • Damien Hirst
  • Robert Adams
  • medium format photography
  • water for Adelaide
  • orange abstract
  • Victoria Square
  • Melbourne Festival: Anne Noble
  • a clean up
  • Hawaiian Shoreline
  • Vivid in Canberra: Silvi Glattauer
  • Richard Green: Wild Places
  • Australian Photography: Charles Bayliss
  • doomed
  • Vitamin: “Urban Differences”
  • caring for water?
  • neo-classical politics
  • A Modernist Office
  • Ki'laueu Volcano
  • Mars: early morning
  • saving the Corrong?
  • restoring street art: Keith Haring
  • Adelaide's Victoria Square redesign
  • Polixeni Papapetrou: Haunted Country series
  • the bush + mobile broadband
  • Queensland excess
  • History of the River Murray's lower lakes
  • the media's Olympics
  • Angelina George: Far Away Places
  • Beijing Olympics as metaphor
  • Brisbane Powerhouse: Paolo Pellegrin
  • Jirrawun Arts: Rammey Ramsey
  • Flickr, photography, video
  • Barry Kosky
  • Tree at La Jolla, CA
  • the culture of celebrity
  • winter in Adelaide
  • the media's Olympics
  • Melbourne Photography: UNSENSORED08
  • Beijing Olympics: aesthetics
  • Blake Prize: aesthetics
  • spinning ecological devastation: Lake Alexandrina
  • heritage
  • Sala Festival
  • Rhizomes1
  • Polly Borland: The Babies
  • Penny Borland
  • Saturday humour
  • Milang jetty
  • representing death
  • urban modernism
  • Popping and Locking
  • Mundoo Channel
  • Grateful Dead: Bertha
  • reworking images
  • gone to Apple
  • David Jensz
  • Australian photography: Stephen Dupont
  • leaving a PC world
  • River Murray inflows
  • Sci Fi: Brazil
  • professionalism/amateur in photography
  • Mathew Sleeth
  • Patti Smith
  • iPhone: telco ripoff
  • visual politics: New Yorker + Obama
  • Geoffrey Gurrumul Yunupingu: Djarimirri
  • Vivid, Degree South, Joyce Evans
  • Bill Henson opens Picture Paradise exhibition
  • Rhizomes1 on the way
  • Forbidden Lie$
  • Into the Wild: Hollywood's mythmaking
  • art making a political point?
  • Murray-Darling
  • Fellini: Il Bidone
  • Sugimoto's Seascapes
  • Michael Kenna's Silent World
  • photography as an apparatus
  • dead tree
  • Rock Island Bend--25 years on
  • Trifid Nebula
  • Mars robot
  • Photographing the Passage of Time
  • Joni Mitchell
  • Australian photography: Ingeborg Tyssen
  • photo angst
  • amateurs + professionals
  • art's critical edge?
  • Australian photography: Flickr SA
  • Australian romanticism
  • credibility
  • street hassles
  • So Much For The City
  • Nine Inch Nails: Zero Sum
  • visual culture
  • Flickr experiments
  • Melbourne photography: Meme exhibition
  • German Photography: Bernd Kleinheisterkamp
  • political humour
  • Alexandra's Project: Rolf de Heer
  • space, again
  • windowless rooms
  • an electric car: Tesla Roadster
  • romanticism + photography
  • romantic currents today
  • bodies, sexuality, conservatism
  • home entertainment
  • reading photographs
  • An old favourite
  • Friday humor
  • Melbourne photography: Chris Zissiadis
  • Bo Diddley
  • Melbourne: erasing the past for the future
  • photography in a time of moral panic
  • 'whats the world coming to?
  • German Photography: Arwed Messmer
  • urban futures
  • consumerism: novelty + nostalgia +.....
  • political humour
  • Bill Henson: Leo Schofield interview
  • Bill Henson, biopolitics, moral panic
  • Bill Henson # 6 uncensored
  • Jupiter
  • yesterday's hero?
  • Bill Henson #5: censored images
  • Philip Hunter
  • Peter Bogdanovich: Targets
  • lazy Sunday at Goolwa
  • Melbourne: urban liveability
  • Friday humour
  • tourism, photography, desire
  • German Photography: Christian Schmidt
  • returning home to suburbia
  • cultivated nature
  • Cyclone Nargis: images
  • Poolside Scottsdale
  • German photography: Johannes Backes
  • landscapes from a car
  • Mesas Mars
  • Leunig: urban nature
  • German Photography: Jitka Hanzlová
  • Biosphere 2
  • German Photography: Bernd and Hilla Becher
  • virtual reality
  • Astro photography
  • Photoforum + NZ photography
  • Colin McCahon
  • celebrity + teenage sexuality
  • Colin McCahon
  • Franz Josef Glacier
  • Rita Angas + NZ regionalism
  • Eugene Von Guerard: Lake Wakitipu
  • Taliesin West
  • Eugene Von Guerard: Milford Sound
  • Haast River
  • Church architecture: Franz Josef Glacier
  • Milford Sound
  • Te Anau: tourism
  • towards wilderness
  • Lake Wanaka
  • Road Trip to Tombstone, AZ
  • Lindis Pass
  • Mt Cook
  • NZ humour
  • NZ: high country
  • Border Crossings
  • Akaroa, South Island
  • in Christchurch
  • Hubble images
  • roots + identity
  • John Ford: The Searchers
  • Phobos: Stickney Crater
  • a dying Murray River
  • Evening Rhythms
  • Astronomy picture of the day
  • Modern Phoenix Home Walk
  • Samantha Hobson: indigenous art + abstract expressionism
  • balcony views
  • poodlying
  • Andreas Gursky: photographing the sublime
  • Fiona Omeenyo + Silas Hobson
  • killer storm = romantic sublime
  • photoblog-----Rhizomes1
  • Desert Rhythms
  • a dead public space
  • wandering Perth's CBD
  • Wynne prize 2008
  • in Perth
  • sensing the sublime
  • modern living
  • John Tuomisto-Bell's Bronze Pouring
  • Conrad Martens
  • Landscape at the NGA: Turner to Monet
  • Elvis: 1968 Comeback Special
  • Easter: caring, sharing gospel or bacchanalia?
  • Rosemary Laing
  • Liveable cities
  • Festivaling in Adelaide: dark shadows
  • Formula 1: the spectacle returns
  • Bidydanga + Sally (Liki) Nanii
  • Sydney playtime at Ivy
  • urban travel
  • binging
  • a nomadic existence
  • successful cities
  • Richard Wastell
  • Phoenix's First Friday
  • Remembering another time
  • festivals + carnivals
  • May Lane, street art, grunge
  • Destiny Deacon
  • détournement
  • Newtown: architecture
  • cruising Newton, Sydney
  • in Sydney
  • urban gardens
  • urban nature
  • Seidler's Riverside
  • same old
  • Adelaide Festival of Arts: Lawrence Daws
  • Sidney Nolan
  • avoiding the broadband pirates
  • fat + hot
  • dawn
  • Nicholas Building: Cathedral Arcade
  • Meet the New Boss
  • De Facto Geographies of Captivity
  • brutalist public spaces
  • AC/DC Lane, Melbourne: revisiting
  • Melbourne street art: plus
  • Soul Deep, television culture, academia
  • facing the past
  • Canberra
  • opening up to photography projects
  • fading roses
  • going European
  • Keating: try to imagine the Aboriginal view
  • Stranded
  • a rose, the baroque, the fold
  • Friday humour
  • Architecture: brutalism + modernism
  • urban nature in Adelaide
  • Leunig: humour
  • Joseph Cornell assemblages
  • modernism + heritage
  • multiple perspectives
  • Manufacturing Town Squares
  • beyond a single point perspective?
  • Daniel Walbidi + Bidyadanga art movement
  • Library of Congress on Flickr #1
  • Library of Congress on Flickr
  • bogan culture?
  • beach architecture: a vanishing Australia
  • Port Elliot--beach culture
  • spec housing
  • Australia Day: Mountain Devil Lizard Dreaming
  • Heath Ledger, death, Hollywood tragedy
  • dancing with identity
  • Steve Reich, Music for 18 Musicians, trailer
  • modernism, Brasilia, urban planning
  • Kathleen Petyarre
  • photographs, romanticism, walking
  • E-games + creative nation
  • Barrett-Jackson Car Auction
  • Adelaide modern
  • feeling the rush
  • post-photography?
  • snapshot + art history
  • the local in the global
  • Best Street Party Ever - Parents Yet To Find Out
  • after too much grog, or ...
  • the tourist gaze
  • a personal coastal moment
  • Hurricane Ivan from space
  • bad public art in SA
  • Days of our lives
  • beachside delight
  • in my neighourhood
  • public spaces in a post-industrial Adelaide
  • nationality + cricket
  • Penola: yesterday's charm
  • cricket gets interesting
  • memories and history
  • Six Pistols: Filth + Fury
  • The Arizona Boneyards
  • From Kangaroo Island snap to photoblog
  • Street snap, Melbourne
  • A touch of surrealism
  • Rancière + aesthetics
  • New Years Eve: beach culture
  • Gold Coast: vulnerability
  • Celebrity today
  • Warhol in Australia
  • New Museum of Contemporary Art, New York
  • Cultural Edges
  • Picasso: after Cubism
  • just holiday snaps
  • Martin Parr: The Last Resort
  • Christmas Day in Phoenix
  • Radiohead: 7 Television Commercials
  • Xmas Day
  • stencil Christ: a little note of subversion?
  • Street Art Project in Union Lane
  • Ten Canoes
  • Union Lane
  • down at Victor Harbor
  • Nationalist Tensions
  • An Xmas card
  • Melbourne's Arcades
  • a day in Melbourne
  • art, pop, advertising
  • private/public
  • sex with robots
  • Yanakie caravan park: welcome
  • urban decay
  • fashion, art, celebrity, porn
  • Leica snap
  • appropriation
  • The Band, sort of; Dylan maybe
  • Janelia Farm
  • on the road
  • leaving the picturesque
  • Wilsons Promontory + the picturesque
  • Wilson's Promontory--discourse
  • Wilson's Promontory
  • Port Campbell + beyond
  • Water As Poison
  • on the road to Port Fairy
  • on holidays: Wilson's Promontory
  • oh dear
  • Colourful Symbols
  • When the Technical Class is More Powerful Than The State
  • on the road
  • Franz Kline
  • early morning
  • remembering Aaron Siskind's abstractions
  • George Grosz, Berlin Street Scene,
  • Unitary Urbanism: wandering the city
  • Politics: end of an era
  • Benzo + Adelaide street artists
  • Camelback Mountain
  • Rauschenberg, graffiti, time
  • Death to the Pixies
  • Adelaide street humor
  • opening up the pictorial field
  • stepping out
  • Desert Hills Presbyterian Church
  • Lettrism + street culture
  • Futureshock
  • Canberra snaps
  • election promises
  • Moon in HDT
  • Social networking: SA photographers
  • Lettrism, Adelaide, photography
  • culture industry: a perverted avant garde?
  • Nolan: ?
  • Snowbirds
  • Adelaide Graffiti
  • Ranciere, image, meaning
  • interpreting the avant garde
  • critical writing/reviewing in Australia
  • The global village is not yet
  • campaign 2007
  • McDowell Ranges
  • Adelaide: CBD renewal
  • Adelaide: still life
  • Mclaren's Rock 'n Roll Swindle: Pretty Vacant
  • a new Brisbane
  • DYI street culture
  • political art, otherwise
  • Groovy Dancing
  • Rock Relics+Facebook
  • Lake Mead, Arizona
  • Adelaide calling
  • Australian photographers: Carol Jerrems
  • Balthus revisited
  • Canyon Lake, Arizona
  • Adelaide Architecture
  • Luminaries: contemporary jewellery
  • The End is Nigh
  • graffiti as a decayed form
  • The Who: The Kids are Alright
  • Not quite Art
  • Quarry Australia
  • Where is Water Wisdom?
  • the natural order
  • a surreal moment in Adelaide
  • Freedom From Suicide
  • Tasmanian visual politics
  • an aesthetics of violence
  • Centre Place
  • Central Arcade Melbourne
  • Axis of Awesome
  • reinventing internet cafes
  • image + television
  • San Francisco Public Transport
  • on the road
  • Caravaggio + Baroque
  • image, television,
  • Radiohead's In Rainbows: not a review
  • travelling
  • urban desire
  • Urban Arboreal
  • If Turnbull hugs trees, where's Garrett?
  • Jan Billycan+Bidyadanga: emerging art moverment
  • AC/DC Lane + city identity
  • Federation Square: a postmodern island
  • political judments
  • Australian Blogging Conference
  • striking the right note
  • Mysterious Minamalism
  • evoking a moment
  • critiquing the culture industry, Australian style.
  • Modern Church Architecture
  • hanging out--free time?
  • undermining minimalism?
  • bendi lango
  • Melbourne snaps : heritage
  • Melbourne: Hosier Lane
  • The View From Canberra
  • from pop art to street culture
  • Beat Strueli: photographs
  • walking Melbourne with friends
  • Melbourne: rolling back the cars
  • bloody Microsoft
  • Federation Square--a postmodern public space?
  • Melbourne: ariel views
  • Caledonian Lane Melbourne
  • Vegas Drama
  • Melbourne beckons
  • Seidler, Riverside Centre, critical regionalism
  • Brisbane Snaps: urban life
  • the heart of politics is...?
  • demonic spirits
  • Canberra rocks on
  • Green Water
  • snapshots +urbanity
  • satire
  • on the road means
  • Melbourne snaps: Collins Street
  • lock down
  • Port Elliot weekender
  • visual politics
  • Victor Harbor snaps
  • Garrett folds
  • Capturing Jefferson as a Tourist
  • Victor Harbor + water restrictions
  • Gunns stand for environmental destruction
  • fashion blogosphere
  • Gunns pulp mill: health concerns
  • red moon
  • Freedom Wall
  • the culture industry: for petrol heads
  • Hobart snaps: punks versus society
  • Bonnie Raitt, Hobart, cityness
  • Hobart snaps: homage
  • Hobart snaps: traces of graffiti
  • Hobart snaps
  • Hobart snaps
  • on the road to Hobart
  • John Brack in Canberra
  • David Lynch: Blue Velvet
  • Jack Marx on Rudd +hot sex in New York city
  • winter colour
  • technological optimism
  • buses, planes cars
  • Mr Rudd goes to New York
  • an evening winter walk
  • A quiet musical moment
  • empty public spaces
  • Canberra snaps: mural
  • Canberra Snaps: Canberra Centre
  • Canberra snaps: CBD
  • Canberra snaps: city
  • Canberra snaps: Manuka
  • Facebook
  • Urban Light and Magic
  • Friday dog blogging #6
  • urban images + cultural conservatism
  • broken dreams
  • A bush capital
  • Adelaide---bouncing back?
  • street art in a global world
  • the woes of a literary culture
  • urban despair
  • Friday Dog blogging #5
  • Melbourne Docklands goes avant garde
  • it's a messy world
  • debris
  • Suburban Aesthetics
  • Culture shock
  • photography, Benjamin, flaneur
  • Friday dog blogging #4
  • blogging + Walter Benjamin
  • Adelaide snaps: indigenous mural
  • Clifford Possum: an art star
  • Adelaide snaps: CBD
  • Harry Potter, the light of God & the oracle of Capital
  • solar flight
  • walking Adelaide: an urban sublime?
  • Paddy Bedford
  • on the road: in Hobart
  • on the road again
  • Brisbane: an urban moment:
  • constructing a tourist site
  • red wall
  • broadband blues
  • packaging history for tourists
  • Happy feet
  • salad days
  • homeless
  • from graffiti to mural art
  • Cape Borda, Kangaroo Island
  • The Most Distant Sun
  • exploring Festivals, cities, apocalyptic moods
  • walking to the Adelaide Festival of Ideas 2007
  • At the Adelaide Festival of Ideas 2007
  • festivaling: Adelaide Festival of Ideas 2007
  • walking Adelaide city
  • Friday dog blogging #3
  • urban textures
  • Adelaide's empty heart
  • National Gallery of Australia: extensions
  • haunted in Adelaide & Lucinda Williams
  • stranded in Brisbane
  • the customary and the market
  • Brisbane Square: a green building ?
  • at Cape Borda
  • the man from the government
  • graffiti as art
  • Adelaide Graffiti--witty
  • Because Sometimes, Rythym in Isolation is Cool
  • a question
  • hauntology in Adelaide
  • Indigenous Art: a note
  • Friday dog blogging # 2
  • exploring urban badlands
  • landscapes for politics
  • Bye bye Johnny?
  • Canberra: graffiti
  • Canberra snaps
  • Sunday evening music
  • Sunday morning cartoon + animation
  • In Canberra
  • a picture is...?
  • convergence
  • thinking about pictures
  • Whiteley
  • selling heritage
  • antecedents
  • inside looking out
  • Dear Internet, You Rock
  • remembering
  • a personal note
  • Friday snap: Remarkable Rocks
  • Meanjin: troubles ahead
  • Martha Rosler + an aesthetics of decay
  • Remarkable Rocks +Aboriginal presence
  • Marc Riboud
  • Alison Krauss, photos
  • 'Curtin': a new Australian national identity
  • The Police retuned
  • a puzzle
  • about pictures
  • sex + politics
  • a note on taste
  • tourist snaps
  • Remarkable rocks: tourist snaps
  • conflict
  • e-porn surfing
  • gender perspectives
  • Cape du Couedic tourist snaps
  • Edges and Software Technology
  • National Gallery: modernist brutalism
  • Hanson Bay: is wild nature seen as if it were art?
  • Schickel, film criticism, blogging
  • so good
  • natural beauty
  • Power Engineering and Global Warming
  • aesthetics of decay
  • phenomenology of space
  • living with Radiohead
  • Friday cartoon
  • Sofia Coppla's Lost in Translation
  • G.B. Piranesi: prison series
  • Hanson Bay Snaps: about beauty
  • Smiling Eyes
  • from tagging to graffiti
  • US: Joshua Tree
  • Hanson Bay snaps
  • Samantha Hobson: ‘Bust ‘im up!’ + Modern Day Life
  • the madonna whore code
  • Hanson Bay Snaps
  • doing it George's way
  • Budget goodies
  • Lockhart River Art Gang
  • The Corporation
  • Kangaroo Island Snaps: Hanson Bay
  • the old uglies
  • Rumors: between rock and pop
  • urban design
  • voices from the past
  • Cape Willoughby snaps: place + Heidegger
  • Simon Reynolds: Bring the Noise + rockism
  • Cape Willoughby: snapping beauty
  • Sam Peckinpah: Cross of Iron
  • Kangaroo Island snaps: more than the Greek Islands
  • Death Valley
  • Kangaroo Island: snapping the sublime
  • Australian identity
  • cinematic images as capital
  • Kangaroo Island Snaps: Cape Willoughby
  • Gillian Welch
  • Kangaroo Island Snaps
  • mosaic of Io
  • Urban renewal + the neo-liberal city
  • Kangaroo Island holidays
  • Heidegger, art
  • self-publishing and democratisation of the media
  • Jacopo Tintoretto + the Baroque
  • The Cinematic Mode of Production
  • Bit Torrent, networks, music
  • graffiti in Adelaide
  • going digital
  • Scorsese Presents the Blues
  • Queensland: toughening water restrictions
  • Beachport snaps
  • Easter: life and death
  • development, photography, the blues
  • Festival Express---art v entertainment?
  • Autumn time in Tasmania
  • William Christenberry
  • the land of 'Kath + Kim'
  • political correctness
  • a sense of things falling apart
  • a militia painting
  • amidst the global flows in Sydney
  • Mark Steyn on popular music
  • Fleurieu Peninsula Snaps: summer
  • Adelaide Festival of Ideas 2007
  • Velvet Underground + Grateful Dead
  • historical apologies
  • Black Hawk Down
  • pulp mills
  • urban snaps: city living
  • Hillary '1984'
  • Fiona Foley: urban Aboriginal art
  • Gunn's pulp mill: dioxins
  • Friday dog blogging
  • Fiona Omeenyo, Hauntology, Derrida
  • YouTube as Internet TV?
  • The Story of the Weeping Camel
  • Coorong snaps: --maleleuca
  • Adelaide Graffiti---traditional
  • a mud bath
  • Banksy and baddogwhiskas
  • state of River Murray
  • picturing a heated-up Australia
  • Australian country music + politics
  • 'Barsoom'
  • colonial topographical sketches
  • democracy today
  • Lucinda Williams
  • Adelaide Graffiti: going political
  • Anne Coulter + the conservative political unconscious
  • Snaps: Fleurieu Peninsula
  • Richard Thompson: Live in Providence
  • Bertolucci's The Dreamers
  • better cities anyone?
  • Greil Marcus: punk, dada, lettrists, situationists
  • graffiti-Adelaide: poetics
  • Visconti: The Damned
  • neat
  • Friday dog blogging
  • Fiona Omeenyo meets the Situationists
  • Snaps: Adelaide graffiti
  • Hockney's, A Bigger Grand Canyon,
  • carnage and bedlam
  • city living, advertising, graffiti
  • the politics of country music
  • war as showbiz
  • the default country
  • Adelaide Graffiti, urban snaps, Adorno
  • critical perspectives on Indigenous works
  • From Hogarth to Rowson
  • public transport
  • just a photo
  • Samantha Hobson: exploring colour
  • William Christenberry: disappearing places
  • living with the heat: snaps
  • Australian Photography: Carl Warner
  • Rosella Namok: breaking new ground?
  • the personal and the political
  • Klein on Bowie
  • on the road
  • Steven Klein & Madonna
  • Art + fashion
  • Jacques Villeglé: torn posters
  • bush fires
  • postmodern cities
  • the new old politics
  • Francois Dufrêne: effacing language
  • Tim Storrier: a return to surrealism?
  • City of God: representing the horrors
  • 'feeling the heat'
  • desire, commodities
  • Queenstown: snap to artwork
  • salty rivers
  • Zappa and Beefheart
  • downtime
  • apocalyptic dread & sublime
  • David Hume: mapping the riddles of Woomera
  • Eugene Von Guerard: 'weird' landscapes
  • Quarry Australia
  • tattered desires
  • James Natchwey
  • Australia Day
  • Building a digital gallery
  • natural beauty
  • an apocalyptic culture?
  • hacking and gift economy
  • Snaps: Coorong
  • Pet Sounds Live in London
  • water for sale
  • Friday humour
  • beauty & embodied meaning
  • the need for aesthetics
  • just an image
  • sports circus
  • a changing nature
  • representing space
  • downsizing the creator
  • photoblogging
  • Paris Hilton: celeb-trash-princess?
  • crisis of culture
  • blogging, cynicism, criticism
  • Tasmanian snaps
  • art as bodily excess
  • the value of biodiversity
  • Snaps: Robe
  • March of the Penguins
  • Snaps: Victor Harbor
  • Grosz on art
  • Cream + New Years Eve
  • Snaps: Mt Lofty Ranges
  • Snaps: Tasmania
  • food culture
  • Holiday joy
  • Neil Young: Heart of Gold
  • Prime Suspect: A Final Act
  • Russian Ark + history
  • belonging, place, landscape
  • Xmas
  • Snaps: bare life
  • Snaps: Queenstown, Tasmania
  • virtual worlds
  • Snaps: lichen
  • Snaps: near Marne River
  • Games as virtual worlds--Second Life
  • where's the water
  • a photographer of ruins
  • death, ruin, catastrophe
  • death digs deeply
  • Dylan: Scorsese's No Direction, Home
  • a warmed up life
  • Melbourne Docklands & urban renewal
  • Clare: a personal snap
  • Lipstick traces
  • Snaps: Mallacoota
  • top 10 favourite Australian albums
  • reworking mass culture imagery
  • cartoon excellence in the UK
  • gum trees as petrified nature
  • Clifford Possum Tjapaltjarri +Assimilation
  • guns versus butter
  • nomadic life in modernity
  • a dried up Canberra?
  • a pictorial language
  • Walkely Awards
  • Emily Kame Kngwarreye + colour
  • melting ice caps
  • Canberra's political culture
  • strange happenings
  • Jerry Shore: images of New York
  • Robe: a holiday snap
  • Queenie McKenzie
  • Balzac and the Little Chinese Seamstress
  • John Prine: story telling in an ahistorical world
  • photographer as flaneur
  • Warnum art & Rover Thomas
  • celebrity culture
  • Lee Friedlander
  • being edgy
  • Fleurieu Peninsula Biennale
  • limits of photography
  • conservative kitsch
  • the now
  • cyborg
  • nice work
  • vortices
  • digital media
  • Josef Sudek & romanticism
  • Springsteen live---in Barcelona
  • Coorong snaps
  • the politics of climate change #2
  • the politics of climate change
  • Kid A --Radiohead
  • America's dark side
  • Melbourne cup
  • top 50 live albums
  • ipod and us
  • Cloud Lichens
  • in Canberra
  • iran from space
  • the other
  • ugly Sydney
  • Leunig: female sexuality
  • painting dementia
  • Representing the Fleurieu Peninsula
  • religious conservatism
  • Fleurieu Peninsula Biennale
  • blaming the victim
  • about photography
  • civilization
  • work-station anxieties
  • returning to Russell Drysdale
  • rage against the machines
  • a political moment
  • Frank Zappa: Baby Snakes
  • from my backyard
  • visual history of blues music
  • drought, wetlands and climate change
  • River Murray
  • fire scares
  • black humour
  • Victoria's rivers are dying
  • Sex pistols: the music
  • Wassily Kandinsky
  • Muslim veil ban
  • imaging the Earth from above
  • it's getting hotter and drier
  • digital television
  • Bat out of Hell
  • wall rose
  • 'Corporate paedophilia'
  • Rijks Musem
  • photographic traces
  • Roy Orbison & friends
  • a satelite eye
  • coastal development
  • Snaps: hogging the coloured centre
  • a note on media markets
  • William Eggleston's snapshot aesthetics
  • photographic snaps as memory
  • Heidegger+desert paintings
  • looking onto a barren land
  • snapshots as lyric poetics
  • walking backwards to digital TV
  • Australian values
  • from weekender to beachhouse
  • a tourist photographic aesthetic
  • North-west Tasmania: three 'tourist' snaps
  • melting glaciers
  • a moment in Tunbridge, Tasmania
  • Three snaps in the Murraylands
  • an eye for an eye?
  • deep space
  • from TV to YouTube
  • from my apartment
  • television: consumers may yet rule
  • returning to Fairport Convention
  • The Bradshaw Paintings
  • a myth is born
  • Alec Soth #2
  • 9/11
  • Sound walking
  • Crikey: Why all the fuss about Steve Irwin?
  • meandering down the Mississippi
  • FourPlay: Now To The Future
  • romantic landscapes & the sublime
  • Lake Alexandrina snaps
  • art criticism #3
  • Tasmanian snaps
  • art criticism #2
  • Victor Harbor snaps
  • art criticism
  • first steps to a gallery
  • my country
  • The falling man
  • Look both ways
  • "Jihad Jack"
  • (returning to) Brett Whiteley
  • suburban living
  • Clarence John Laughlin
  • Fellini's La Dolce Vita
  • dealing with obesity
  • about the media
  • The Bourne Supremacy: ho hum
  • airport security humour
  • petrol prices
  • Walter Benjamin: Paris Arcades
  • saving our wild rivers
  • Grateful Dead, free music, video streaming
  • Schindler's List: grappling with the legacy of the Holocaust
  • Lunar park
  • Lebanese political art
  • on the road
  • blogging
  • Schiller's Aesthetic Education
  • escapism
  • harry Potter
  • Robe
  • on holidays
  • goodbye film hello digital?
  • comment on power
  • a long way from Cronulla beach
  • holidays in Clare
  • spilling blood
  • holidays
  • future forward
  • Matrix Reloaded
  • Farah Nosh
  • modern landscapes
  • sanitized visual narratives
  • visual culture
  • Joni Mitchell
  • Terminator 3
  • Syd Barrett + Pink Floyd
  • political art
  • pathos
  • Painted Desert
  • a comment on the media
  • porn spam
  • Brassai
  • sex and academia
  • Catherine Lumby on Big Brother
  • signing off
  • cute
  • goodbye to Australian culture?
  • rock & authenticity
  • rock aesthetics
  • Fellowship of the Ring
  • coastal development
  • the insurgency grows
  • SE Queensland's water crisis
  • junk food and class
  • Ruddy's portrait of David Gulpilil
  • black humour
  • revisiting modernism
  • biopolitics
  • living in a consumer culture
  • affluence
  • flags
  • a moment of humour
  • Backflip on sustainable living
  • I fall in this dark unknown
  • postmodern revisited sensibly
  • the 1960s-inspired culture wars
  • education in a multicultural society
  • every picture tells a story
  • urban expansion
  • The cars that ate Paris
  • Lambasting PoMo?
  • 'In the Mood for Love'
  • Robert Johnson
  • another way of looking
  • Rover Thomas
  • controversial cartoon?
  • aesthetics & beauty
  • cartoonists flop
  • expressionism
  • discomfort
  • defending boundaries
  • Charles Blackman
  • it needs to be confronted
  • Reforming transport
  • urbanism
  • Archibald Prize 2006
  • Mike Davis ---the new slums
  • Guy Maestri
  • lets party while the boom lasts
  • a contradiction
  • Quadrant's view of the humanities
  • big TV's
  • the end of art photography?
  • rock paradigms
  • a quiet moment
  • rock outrage
  • Rolling Stone, Neil Young, Living with War
  • images and postmodern times
  • Hotel California
  • Fashion week
  • Simon Reynolds: noise
  • Sidney Nolan: Gallipoli+ Anzacs
  • obesity
  • increasing petrol prices mean...
  • Sydney harbour prawns
  • trashing postmodernism
  • an answer
  • A question
  • Walter Benjamin & photography
  • Easter
  • rolling on in a groove
  • writing from within
  • bad news
  • leisure
  • change is on the way
  • business
  • an i-pod world
  • blast from the past?
  • mums and dads
  • a folk painter
  • about diets
  • commentary on art
  • Archibald Prize, 2006
  • on Lies
  • desire thwarted
  • nationalism & sport
  • Colliding Worlds: first contact
  • hope i die before i get old--naah
  • Ali Farka Toure, Ry Cooder, Talking Timbuktu
  • political realities
  • about aesthetic concepts
  • Quadrant vomits
  • witty
  • Commonwealth Games: yawn
  • Velvet Underground: postmodern rock music
  • About culture
  • the new aspirational middle class
  • desire
  • more than a torn poster
  • a quiet moment
  • Adelaide Art Festival
  • Adelaide Arts Festival
  • politics
  • the uncanny in the everyday
  • a dam good question
  • tourism ---Australian style
  • young conservatives
  • about Iraq
  • Telstra' internet movie joke
  • conservative Australia
  • Is there an exit strategy?
  • Plottings---Ian Roberts
  • nifty
  • Abu Ghraib revisited
  • sustainable living
  • Like a rolling stone
  • Leunig controversy
  • Eno on Miles Davis: context or music
  • you can see why
  • the other Tasmania
  • Ralph Eugene Meatyard
  • the New York Times on the 12 Muhammad cartoons
  • those 12 cartoons: an old oriental story
  • questioning the conventions of wilderness photography
  • the cartoon wars
  • architecture in Tasmania's Midlands
  • Tasmania-as-wilderness
  • good news on cities
  • I'm back from Tasmania
  • american popular music
  • changing musical experiences in a digital world
  • modern urban life
  • living in the regions
  • Emily Kame Kngwarreye + abstraction
  • River Yarra, Melbourne
  • quality work
  • natural history
  • Leunig's wit
  • big energy rules
  • urban life in postmodernity
  • fields
  • political death
  • whaling battles
  • Kill Bill
  • John Olsen
  • postmodernism
  • Clifford Possum Tjapaltjarri
  • Cohen Brothers: The Man Who Wasn't There
  • Trent Parke #2
  • summertime in Australia
  • Emily Kame Kngwarreye
  • political satire #2
  • high protein diets
  • barely surviving
  • a national culture?
  • The Big Lebowski
  • disrupting corporate music
  • Japanese duplicity
  • Japanese commercial whaling
  • a question of time?
  • Kylie
  • about racism
  • Trent Parke
  • East Kimberley art: Rammey Ramsey
  • East Kimberley Art: Goodie Barrett
  • Carnival at Cronulla
  • Cronulla: one face of Australian nationalism
  • surfing the undercurrents
  • The Quiet American
  • thinking about Australia's cities
  • a day of nationalism becomes a racist free-for-all
  • S & M in politics
  • National Portrait Gallery
  • a changing musical scene
  • a ship of fools
  • Paddy Bedford
  • capital dreaming
  • a pre modern image
  • Peggy Patrick
  • stencil grafffiti: Melbourne
  • about nuclear power
  • sedition#3
  • Paul Caponigo
  • East Kimberley art: Freddie Timms
  • East Kimberley art: Rusty Peters
  • Max Ernest: two images
  • writing the 1990s culture in Australia
  • the Velvet Underground
  • schoolies week
  • West Wing
  • when in Rome?
  • open borders?
  • Rover Thomas #2
  • overcoming aesthetic modernism
  • sedition #2
  • Great Barrier Reef: coral bleaching
  • Empire days: a tourist in Canberra
  • sedition
  • just an ordinary man
  • political art & aesthetics
  • its a tabloid world#2
  • its a tabloid world
  • Jeff Wall interiors
  • succinctly said
  • Rover Thomas plus
  • John Spooner's political imagery
  • Mabel Juli
  • intertexuality
  • Jeff Wall
  • on cue
  • makes a point
  • narrative photographic series
  • at the Queensland Art Gallery
  • Charles Blackman
  • Barbara Heath: 'off the body'
  • bird flu
  • Rosa parkes: in memoriam
  • fast foods
  • Barbara Heath
  • laughing with Destiny Deacon
  • Why not a congestion tax?
  • Patricia Piccinini
  • Joerg Immendorff: "Cafe Deutschland"
  • becoming
  • Miller's Crossing
  • drunk with power
  • the Amazon's new look
  • today's email
  • Chris Orchard
  • urban living
  • summertime in SA
  • the new political reality
  • Scorsese on Dylan
  • Bruce Davidson
  • consumption as a mode of being
  • sky high petrol prices
  • information economy
  • music, file sharing, copyright, public interest
  • Little need to comment
  • Queenstown
  • global village & Web2
  • clouds
  • revisiting Wilson's Smile
  • Hurricane Rita
  • Melbourne's fever
  • kissing the great modernist divide goodbye
  • venting the spleen
  • Bill Henson #4
  • The tabloid gaze in politics
  • water crystals
  • sexuality and disability
  • Saturn, Mars, deserts
  • Graffiti
  • cartoon's critical edge
  • a war on nature
  • politics as theatre
  • Mississippi Odyssey?
  • Jerry Garcia
  • accountability
  • Kandinsky
  • Lost Highway#4: country music and photography
  • response to Katrina
  • Lost Highway#3
  • New Orleans: a descent into chaos
  • Leunig
  • Davida Allen
  • political satire
  • Graffiti & public spaces
  • Hurricane Katrina, global warming, New Orleans
  • Deleuze, Bacon, abstraction
  • bad urban development
  • Lost Highway
  • towards silence?
  • "Lest We Forget"
  • Francis Bacon
  • Melbourne: Spencer Street Redevelopment
  • decline of public spaces
  • something strange is happening
  • a wry joke
  • Harold Cazneaux
  • Dale Frank #2
  • reality and representation
  • regionalism revisited
  • Philip Hunter: layered landscapes
  • Philip Hunter #2
  • on the road
  • spam
  • Dr. Death?
  • global culture
  • architecture into form
  • John Galliano
  • designer fashion
  • The Pope on modern music
  • Frank Miller's Sin City
  • smilely smile
  • records, mirrors, performances
  • Fiona Hall
  • Denise Green: image and metonymy
  • The Sopranos: Season 1
  • Easy rider revisited
  • overlapping signifiers
  • constructing a musical listener
  • Of course, we are meat
  • Lifehouse: redemption+rock
  • Rock aesthetics: romanticism, Grateful Dead
  • alert and alarmed
  • images and democracy
  • the politics of pictures
  • the best that could be done?
  • architectural photography
  • Adelaide Festival of Ideas---2005
  • Abstraction
  • the gray sadness
  • musical politics
  • 1990s Grateful Dead
  • Graham Sutherland
  • Live 8: an awesome multimedia event
  • Architecture: why worry about design
  • Six Feet Under
  • an easy going cubism
  • snazzy design
  • craft or design?
  • impenetrability
  • recoiling from tv.
  • heritage/development conflict
  • Bruce Davidson
  • a touch of humor
  • cultural conservatism
  • protecting the whales
  • music & noise
  • storm
  • noise and city life
  • back on deck
  • Michael Jackson
  • Adorno: aesthetics of rock music
  • Adorno, rock music, language
  • Crikey's bile
  • Miles Davis, Isle of Wight concert, Adorno
  • no need for art criticism
  • dreaming of green
  • Miles Davis
  • Miles Davis: In a Silent Way
  • The new face of Australia?
  • students whoring
  • Chowilla
  • public art
  • WWI photographs
  • Is Sydney an unsustainable mode of life?
  • Frank Hurley: war photographer
  • picturing the country?
  • God is not happy
  • Rosemary Laing: Groundspeed
  • Bruce Springsteen
  • Rosemary Laing
  • The Basement Tapes
  • city woes, roots and rock criticism
  • on the music industry
  • the high tech gift economy
  • an easy moment
  • music & cancer
  • Max Ernst
  • celebrating the Day of the Dead
  • marine conservation
  • space and everyday life
  • Sebastiao Salgado #2
  • post-budget blues
  • Bill Henson#3: interior landscapes
  • Sebastiao Salgado
  • Fred Williams: Pilbara series
  • democracy?
  • enjoy
  • contrasts
  • a magic moment
  • Archibald Prize 2005
  • political art
  • space
  • Robert Doisneau
  • Sidney Nolan: Gallipoli
  • oh well
  • casino capitalism?
  • Johnnie Johnson obituary
  • Stand Up Get Up
  • Dark Star
  • environmentalism
  • Francis Bacon #10
  • Francis Bacon #9: Surrealism, flesh
  • inner city living versus quarter acre suburbia
  • excellence in editorial cartoons
  • Francis Bacon #8
  • in memoriam
  • classic photojournalism
  • slouching towards Miles Davis
  • Ten Days on the Island
  • Melbourne 2030
  • River Murray
  • about museums
  • Paul Hester: In memoriam
  • celebrity, Michael Jackson, media
  • Atget, photos, ontology
  • The ontology of representation
  • Cultural Heritage
  • Fragments: Eugene Atget & Walter Benjamin
  • picture theory
  • aesthetics & rock criticism
  • musical modernism, rock music, aesthetics
  • noise and music
  • a visual loop
  • in a postmodern world
  • the critical impact of architecture?
  • political cartooning
  • pop philosophy#2
  • John Oswald & plunderphonics
  • pop philosophy
  • Life-threatening weather
  • Fairy tales?
  • music in the public domain
  • Rem Koolhaas
  • Rem Koolhaus: Sea Terminal
  • some questions
  • Dylan & the Dead
  • K.D. Lang
  • Different perspectives
  • Frank Hurley
  • yesterday: in a new light
  • sex, power, terror
  • gated communities: the retreat of humanism?
  • masculinity?
  • Jason Kotte: blogging full-time
  • Ponch Hawkes
  • cartoon wars?
  • Jackson Pollock+ cold war
  • Jackson Pollock
  • art censorship
  • a moment
  • Global Warming #2
  • Who cares?
  • rewriting modernism
  • progressive architecture?
  • where has the care gone?
  • Deleuze on Bacon
  • a salutory tale
  • the dominant male scopic regime
  • Francis Bacon #7
  • Philip Johnson
  • spam attack
  • Global Warming
  • Auschwitz
  • Tracey Hoyng
  • Australian photoblogs
  • Australia Day
  • ugly cities
  • Hans Bellmer
  • Bacon #6: contrasts
  • Rock Criticism
  • two images of empire
  • New York: an ecologically sustainable city?
  • Francis Bacon #5
  • a wry comment
  • Saturn and its moons
  • digital photomontages
  • Tsumani:Testimonials & help
  • Aceh:above and below
  • a torn fragment
  • Tsunami #12:more odd reactions
  • Tsunami: Maldives & coral reefs
  • public spaces as mixers of public experience
  • Tsunami #10: some odd reactions
  • last post
  • Why?
  • Tsunami: satellite images
  • creativity
  • Tsunami #9 lived experience
  • sexy skyscrapers
  • images of destruction
  • cultural creation
  • Tsunami#8 Life amidst death
  • tropical paradises
  • tsunami #7: Christian afterburn
  • Tsunami: Aceh, on the ground
  • Asian Tsunami: Satellite Images of Banda Aceh
  • Tsunami in Sri Lanka: Three Images
  • MOMA Revamped
  • Asian Tsunami: nature v humanity
  • comment spam
  • human tragedy
  • Sacred heart
  • Xmas joy
  • John Butler Trio
  • Hollywood's global reach
  • cartoons as critique
  • in a tailspin
  • Grey Album#2
  • life in a war zone
  • the endless highway to the promised land
  • cultural conservatism
  • a plug
  • appearances and representations
  • another eye?
  • the eye, base materialism, and the informe
  • beyond mirroring
  • political cartoons
  • personal
  • tis strange
  • Bacon#4
  • Francis Bacon#3
  • Rolling Down the Lost Highway
  • Eureka
  • dunno
  • too good to pass bye
  • summer+bushfires
  • more rust
  • Cities: signs of protest
  • A galaxy?
  • political imagery
  • media arts
  • Lloyd Rees/in Melbourne
  • I as Eye
  • two images
  • Richard Avedon#3
  • the politics of culture
  • Richard Avedon#2
  • Richard Avedon
  • the picturesque
  • The cartographic eye
  • Francis Bacon#2
  • surrealism re-evaluated
  • Gram Parsons: a musical note
  • Deleuze & Bacon
  • Reflections on Art
  • a lighter moment
  • recoil
  • surrealism, sex, prostitution
  • illuminating eye
  • after the spectacle
  • an innocent eye
  • the eye
  • moral values
  • holiday
  • US politics
  • global warming?
  • anywhere
  • more Tracey Emin
  • a theoretical moment
  • we've never had it so good
  • confrontational?
  • Deleuze & cinema
  • graffiti
  • Frank Gehry's MIT Stata Center
  • culture in troubled times
  • female sensibility
  • Derrida: In Memoriam
  • Stephen David Ross Interview: The Gift as Art #11
  • music: another history
  • Pierre Klossowski
  • a light moment, mostly music
  • pop surrealism
  • desire
  • dead public spaces
  • lively public spaces
  • Monasteries & Modernism
  • teenage culture
  • politics
  • architecture and history
  • Stephen David Interview:#10-C
  • prostitution
  • architecture: mimesis & critique
  • Madonna/Whore
  • from porn to child porn
  • Sean Scully#2
  • Mars, as seen by Mars Express
  • Sean Sully
  • Otto Dix: Der Krieg
  • Radiohead: OK Computer
  • Hans Bellmer: forbidden fruit?
  • Brian Wilson presents Smile
  • S.D.Ross Interview#10-B
  • Travelling the country: David Plowden#4
  • Antartica
  • Bernice Abbott
  • Spyware
  • Lee Miller
  • culture & politics
  • Sydney Opera House
  • Sebastio Salgado#2
  • William Robinson#2
  • Courtesy of....
  • D.H. Lawrence
  • Garry Shead#3
  • Garry Shead#2
  • Garry Shead#1
  • Philip Hunter
  • fear
  • Australian Landscape: in a bind
  • Elle McPherson: porno chic
  • urbanscape
  • stripped
  • go Clover Moore go
  • Landscape#7
  • Eisenstein's Alexander Nevesky
  • regionalism: Mallee
  • landscape#6
  • William Clift
  • What's the fuss?
  • Little needs to be said
  • urban parklands
  • sustainable cities
  • Architecture: le Corbusier
  • Architecture
  • Sebastio Salgado
  • text versus image
  • Grateful Dead: Stepping Out
  • more adventures?
  • Sally Mann: photographer
  • Tracey Moffat#2
  • Waterhouse Prize
  • Cartier-Bresson#2
  • Cartier-Bresson
  • from the archives#2
  • from the archives
  • Lee Bontecou
  • Photographic archives
  • a modern aesthetic
  • Urban photography
  • Mungo man
  • the camera eye
  • the Last Waltz
  • Winter & Exile on Main Street
  • fashion
  • technology
  • the colonial eye
  • Tourist eye on Tasmania
  • a visual regime
  • wilderness#4
  • animation
  • Fordist modernism#2
  • Tasmanian Wilderness#5
  • Fordist modernism
  • observing nature: the look from above
  • Mt Lyell
  • Modernism
  • Breillat: Anatomy of Hell
  • pop music
  • theorizing photography
  • two views
  • it's still raining outside
  • winter sunshine
  • Edward Hopper: urban life
  • patriotism
  • visual knowledge?
  • Japanese Story
  • Australian cinema: an urban language
  • a visual language
  • Harry Callahan#4
  • Landscape#5
  • Harry Callahan#3
  • Harry Callahan#2
  • Harry Callahan
  • landscape#5
  • Landscape#4
  • Selling biotech
  • Biotech:
  • A creative archive
  • love the clone
  • Landscape#2
  • Landscape: B&W photography
  • Tasmania: wilderness#4
  • Biotech: rethinking feminism
  • Biotech: giving nature a helping hand
  • Biotech: fetal images
  • biotech: reproductive technologies
  • rape
  • Biotech: mutants
  • a sacred place
  • Living in a biotech world#2
  • Living in a biotech world
  • Sontag: Abu Ghraib photos#4
  • Regionalism: Coorong
  • Sontag: Abu Ghraib photos#3
  • Sontag: Abu Ghraib photos#2
  • Sontag: the Abu Ghraib prison photos#1
  • caught my eye
  • moonlighting
  • existential desires
  • Brand Australia revised
  • tourism: Brand Australia
  • the male gaze again#6
  • Nick Berg video: the sacred
  • going political
  • Sacrifice: another iconic war image
  • nature/culture
  • surrealism?
  • John Divola
  • Beach House: California dreaming
  • sexual ambiguities
  • treated worse than a dog
  • slowing down
  • another language
  • Orientalism: a definition
  • the counter Enlightenment
  • politics and media
  • Music, Olympics & politics
  • it was a time
  • Paint
  • Wilderness#3
  • Anzacs, regionalism and national identity
  • Regionalism & music
  • Critical regionalism in Architecture
  • having lost my way
  • From film & televisual culture
  • Wynne Prize
  • That Eye, the Sky
  • Film Culture
  • Representation & power
  • Porn & popular culture
  • Deleuze & simulacrum
  • beyond copies & models
  • simulacrum
  • It's a tragedy
  • rhizome
  • a nomadic existence
  • surrealism in Australia#2
  • give them a drink
  • postmodern markets
  • Urban life: isolation & gloom
  • Guy Bourdin: postmodern surfaces
  • Guy Bourdin & re-enchantment
  • Sex: it's everywhere
  • Myrtle Forest
  • The Tarkine
  • urbanscape#2
  • Australian pop art?
  • Urban culture
  • Urbanscape
  • Scary monsters
  • Landscape
  • Different ways of looking?
  • The male gaze#5: mastery to bondage
  • our mediascape
  • The male gaze#4: inversion
  • The male gaze#3
  • frustrations
  • Beauty#2: bodies
  • the male gaze and nature
  • The male gaze & phenomeology
  • The pictorial turn#2
  • the pictorial turn#1
  • sustainable cities
  • Mandy Martin
  • beauty
  • Smile: live
  • Adelaide Festival of Arts
  • landcape & beauty
  • exploring
  • landscape
  • Stephen David Ross Interview#10-A
  • Stephen David Ross Interview#9
  • Stephen David Ross Interview#8
  • everyday life
  • Grey Tuesday
  • Bill Henson#2
  • Cheesecake & Bellmer's dolls
  • resisting the corporate music industry
  • to be elsewhere
  • Urban Design: Places for people
  • For Tasmania
  • Stephen David Ross Interview#7
  • Steven David Ross Interview#6-2
  • Mandy Martin & Romantic sublime
  • Romanticism & the sublime
  • Romanticism as spectator
  • Romanticism & empire
  • on the road to....
  • surrealism & photography
  • bodies
  • La Fura dels Baus XXX: shock, sex and the internet
  • Franz Marc: beyond harmonious form
  • Bataille & Cinema
  • surrealism & rock
  • Dali's shitty pants
  • getting away
  • Once upon a time
  • Steven D. Ross Interview:#6-1
  • Mediascape
  • Helmut Newton: remembered
  • beauty in ugliness
  • Smile returns:"Goodbye Surfing, Hello God".
  • Tracey Moffatt
  • We've heard it all before
  • Stephen Ross Interview: #5
  • From Hubble
  • Hollywood Sleaze
  • Dystopia
  • Domination of nature
  • [grid::ritual] strenghtening social bonds
  • Mars, water, life
  • Cultural heritage
  • urban culture
  • that a nagging feeling
  • Logging in Tasmania
  • Similarities: Mars and Sturt Stony Desert
  • Mars: deserts and frontiers
  • a circle
  • Mars
  • martian landscape
  • a different way of relating
  • signs of modernity
  • Urban design sucks
  • Green delusions?
  • the old and the new
  • devastation
  • consumer freedom?
  • "Gorging" on porn?
  • Towards an Australian Cinema: The Tracker
  • Summertime in Australia
  • Melbourne beachscape
  • Towards a national cinema
  • Xmas day
  • After Fox: scrambled thoughts
  • a virtual life
  • Photography and surrealism
  • Film culture in Australia
  • walking the city with...
  • sexuality and consumer culture
  • I kinda like it
  • waterhole dreaming
  • Another way of seeing
  • Peter Weir's The Truman Show
  • Eugene Atget: walking the city
  • [grid:city branding]: Comments#3
  • landscape as natural resource
  • regionalism
  • Gerhard Richter
  • Stephen Ross Interview: The Gift#4
  • [grid::brand] Brand: Comments#2
  • urban poetics?
  • It's such wonderful news
  • poetics of the city
  • something quirky
  • [grid::brand] Comments on Others#1
  • [grid: :brand] Beyond branding: the gift
  • have a look
  • applying the emergency brake
  • surrealism: Hans Bellmer's mutilated bodies
  • modern life
  • displacing myths
  • returning home
  • milk bars & electronic scholarship
  • funky architecture #2
  • looking after cultural heritage
  • after the game
  • Grid blogging
  • urban life
  • its funky#1
  • engaging with Federation Square
  • just exploring
  • inside and outside architecture
  • this is no shakedown street
  • funky Oz architecture
  • you can make it happen Adelaide
  • a note on place
  • a suggestion
  • creating places
  • Beachscape
  • Lake Eyre
  • love the sexy payola
  • The Situationist's new Bablyon
  • walking the city
  • the spectacle
  • photos and visual language
  • A different city for a different life
  • fear and loathing
  • More Helmut Newton
  • porn goes mainstream?
  • dwelling in the metroplis
  • Strange fruit?
  • indulgences or a postmodern text?
  • after the painting
  • seaside dwelling
  • a moment in 'wilderness'
  • wilderness #2
  • Hyper-realism
  • too much for one night
  • another way of looking
  • once upon a time....
  • wilderness
  • new world dawning
  • image and text
  • suburbia again: Blue Velvet
  • Goya
  • Urban renewal?Japanese modernism?
  • F. Williams
  • Silence & forgetting
  • surrealism in Australia
  • catches the eye
  • Narelle Autio: at the beach
  • Max Dupain
  • High-popular culture divide
  • Great song
  • David Plowden#3
  • Nobel Prize
  • Question for tomorrow
  • David Plowden #2
  • a different perspective
  • untitled
  • just a visual
  • a hint of something other
  • wish it were so
  • postmodern architecture
  • cool and sexy
  • notes for a future post
  • classy
  • a light moment
  • oh my goodness
  • Sontag: Regarding the Pain of Others#20
  • Sontag: Regarding the Pain of Others#19
  • aesthetic shock?
  • Pierre Klossowski
  • Stephen D Ross Interview#2
  • a photo
  • Balthus
  • Stephen David Ross Interview#2: The Gift
  • Housekeeping
  • Sontag: Regarding the Pain of Others#18
  • Sontag: Regarding the Pain of Others#17
  • pop glamour
  • Rick's flying into the David Ross interview
  • Japanese modernism 2
  • Sontag: Regarding the Pain of Others#16
  • the first hesitant step
  • reviving downtown
  • Cultural studies:
  • Japanese modernism?
  • Adelaide: the thinking person's capital?
  • For the cheesecake boys
  • Sontag: Regarding the Pain of Others#15
  • It looks good
  • searching for a good urbanism."
  • excursus from daily life
  • taking note
  • Sontag: Regarding the Pain of Others#14+
  • architectural regionalism
  • defending high culture?
  • Destiny Deacon
  • Sontag: Regarding the Pain of Others#14
  • the 'wow' factor in architecture
  • Sustainable Adelaide
  • Sunday's photo
  • cheesecake as subversion
  • Sontag: Regarding the Pain of Others#13
  • landscapes
  • Sontag: between#12 & #13
  • kissing in public places
  • Sunday's photo
  • the spirit of instrumental detachment
  • Sontag: Regarding the Pain of Others #12
  • the pleasure machine
  • Disco nation
  • The New Urbanism
  • oppositions
  • looking horror in the face
  • affirmation
  • places
  • wish it were otherwise
  • the workings of the art institution
  • Sontag: Regarding the pain of Others # 11
  • Bill Henson#1
  • bob hope
  • Sontag: Regarding the Pain of Others#10
  • shopping malls
  • suburbia
  • After an Exhibition: a note on Australian landscape
  • Sontag: Regarding the Pain of Others #9
  • humanised geometry
  • Derek Allen Interview #7
  • modernist urbanism
  • corporate architecture
  • Sontag: Regarding the Pain of Others #8
  • photographic criticism
  • testing testing testing
  • Sontag: Regarding the Pain of Others#7
  • Derek Allen Interview#6
  • Tim Blair's big disgust
  • interesting photographs
  • Walter Benjamin: just a note
  • its good to know where you stand
  • Sontag's Regarding the Pain of Others #6
  • Derek Allen Interview#5
  • making cities work
  • living with dogs
  • literary culture vs visual culture
  • Regarding the Pain of Others#5
  • Derek Allen Interview #4
  • Regarding the Pain of Others#4
  • Derek Allen Interview: Part 3
  • living wrongly in modernity
  • Regarding the Pain of Others: Comment 3
  • reclaiming public spaces
  • Derek Allen interview: Part 2
  • Regarding the Pain of Others: comment 2
  • Regarding the Pain of Others: comment 1
  • a virtual life
  • More on Malraux
  • selling the academy
  • a tragic sensibility
  • Class act
  • re-thinking aesthetics
  • knitting as craft
  • the selling of Hillary
  • Flee the city?
  • A confession: being anti-American
  • perverse, alien, dangerous
  • oh dear
  • being too lighthearted.
  • fun in Sydney town
  • a dying Adelaide
  • Nugget Coombs paraphrased
  • on the bottom
  • place and architecture
  • no tears here
  • high modernism returns?
  • Lady Sun
  • Anne Coulter on Hillary Clinton
  • seeing things
  • Henderson's delusions
  • Sidney Nolan/Australian landscape
  • more law and order
  • law and order for lost souls
  • Spatial anxiety
  • some truth in the exaggeration
  • just another mask
  • being a waste product
  • a glass of chardonnay
  • Dry Zone as smokescreen
  • Soccer Australia
  • heroes
  • Breakeven
  • just another drop
  • disconnected
  • Greening Sydney
  • Internet problems
  • The way to go is more carparks
  • mobile technology
  • Urban/suburban sterotypes
  • cultural heritage
  • avoiding the hate sessions
  • holes in cyberspace
  • Amanda Devine watch
  • men are in such a bad way
  • Tim Blair Watch
  • the weight of history
  • a lament
  • Guess what
  • unpacking my books
  • USA needs more backbone
  • Margaret Bourke White & Russia.
  • holes in the net
  • The Matrix
  • probbing prejudices
  • speeding ticket revenue
  • confession and penance
  • Back to the past
  • a modern tragedy
  • feeling sorrying
  • photologs
  • just a pretty image?
  • whose song do I sing
  • On why there was no posting yesterday
  • thinking of others
  • my one big thought
  • searching for the flow
  • writing my first word
  • getting started
  • just another morning in Adelaide
  • its just sex janet, just bodies
  • just a trifle
  • a shakey proposal
  • a nice read
  • social hope
  • nice work!
  • Tourist girl returns
  • Adelaide architecture
  • techno toys
  • having fun and being smart
  • sex & bodies
  • an eye on architecture
  • ugly Australians abroad
  • in vogue
  • porn
  • under the sign of the beautiful
  • not a tourist boy
  • living in a tourist world
  • Frustration
  • Back on Deck
  • On holidays
  • a biographical note
  • run ragged.
  • Life is chaos
  • Clive James
  • Moving II
  • Moving
  • Norman Mailer
  • Wog Stereotypes
  • Making it Plain
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