Mandy Martin, Puritjarra 2, 2005. For further information on MANDY MARTIN, refer here: http://www.mandy-martin.com/
If there are diverse kinds of knowledge and ways of knowing place, then we need to learn to value the different ways each of us sees a single place that is significant, but differently so, for each perspective.
adrift on a sea of information at a time when the world's night is a destitute time. In the age of the world's night, the abyss of the world must be endured.
--Adelaide is home. Relaxation is Victor Harbor. I'm a frustrated photographer who has lost his way in life.I have trouble coping in the technological mode of being of our complex digital world.
The 'Dirty Blue Gene ' track from the Doc At The Radar Station (1980) album is a fitting way to say goodbye:
The album contains quality material recycled in part from "the lost album" sessions. Instead of seeking ideas from sidemen, Beefheart claims to dictatorially control his Magic Band members. In description, the music reads like jazz, though.
Rhythms are carried by the singer and by all instruments - most often by electric guitars. Drums and percussion usually create subordinate, overlapping patterns. Conventional melody and harmony aren't prime features, but what exists is played by all the musicians.
Don Van Vliet switched from music to painting in the 1980s:
Captain Beefheart's music can be seen as musical counterpoints to the American abstract expressionist tradition of the previous generation (eg., Arshile Gorky, De Kooning or Jackson Pollock) and Beefheart has the ability to unite discordant musical, literary and visionary elements to create a unsettling whole.
Beefheart's stated painting reference point is Franz Kline.
| Posted by Gary Sauer-Thompson at 2:14 PM | Permalink
