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Mandy Martin, Puritjarra 2, 2005. For further information on MANDY MARTIN, refer here: http://www.mandy-martin.com/
If there are diverse kinds of knowledge and ways of knowing place, then we need to learn to value the different ways each of us sees a single place that is significant, but differently so, for each perspective.
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cartoon's critical edge « Previous | |Next »
September 13, 2005

This superb cartoon is another example of visual cultural critique:

RowsonC.jpg
Martin Rowson

It's bite captures this kind of response noted by Wealth Bondage

Rowson's cartoon is an interpretive reworking of a iconic American image from the American Revolutionary War and, more specifically, George Washington's stealthy midnight crossing:

ArtUSLeutz.jpg
Emanuel Gottlieb Leutze, George Washington Crossing the Delaware, 1851,Oil on Canvas.

This in turn is a gesture back to a classic art image:

ArtGericaultC.jpg
Theodore Gericault, Raft of Medusa, 1819, Oil on canvas

The inter-textuality gives the Rowson cartoon more depth, does it not?

| Posted by Gary Sauer-Thompson at 11:24 AM | | Comments (1)
Comments

Comments

I was at James Monroe's house several years back, it is just outside of Charlottesville, Virginia. IIRC it is supposed to be Monroe that is carrying the flag. The tour guide pointed out the idealised flag, it was most likely this flag. Which was a defaced ensign with the red stripes of the Sons of Liberty flag.