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Mandy Martin, Puritjarra 2, 2005. For further information on MANDY MARTIN, refer here: http://www.mandy-martin.com/
If there are diverse kinds of knowledge and ways of knowing place, then we need to learn to value the different ways each of us sees a single place that is significant, but differently so, for each perspective.
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If the time is destitute because it lacks the unconcealedness of pain, death and love, then in postmodernity we are experiencing a shift from the texts of literature to images produced by various visual regimes. We now live embedded in a visual culture.
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Our time is the traumatic and meaningless situation of the collapse of everything previous thought had relied on
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The best in us has perhaps been inherited from the sensibilities of earlier ages to which we hardly any longer have access by direct paths; the sun has already set, but the sky of our life still glows with its light, even though we no longer see it. (Nietzsche, Human, All Too Human)
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Amy Stein

Photographic Galleries


Australian Centre for Photography
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Music

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Music Box
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Rough Guide to Music
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www.thought-factory.net
looking for something firm in a world of chaotic flux
carnage and bedlam « Previous | |Next »
February 26, 2007

When I was working on the paranoia and politics post at public opinion I recalled this image by the Dutch painter Hieronymus Bosch: it is the hell panel of the The Garden of Earthly Delights

BoschGardenofEarthlyDelightsHell.jpg
Hieronymus Bosch Hell, from The Garden of Earthly Delights, circa 1504

What we have is a nightmarish landscape of carnage and bedlam ---isn't this the experience of Iraqi's today, caught up as they in bloody civil war between the Shiites and Sunnis?

| Posted by Gary Sauer-Thompson at 4:40 PM |