I've only come across Rosalind Solomon's work courtesy of Wood S Lot. Prior to that this photographic artist was completely unknown to me. And to others it would seem.

In this interview at American Suburban X Soloman mentions the negative responses to her work in a New York art world in the 1970s that was dominated by conceptualism.

She says:

I was floating around in my own juice. I had no regular gallery representation and no advisors. I did not have a clue as to how to get my work published and better known. I did not know how to talk about my work or to write about it. I always wanted to hold it tight and to keep my experiences and personal impulses private. I had many bodies of work that could have been books along the way and occasionally, I tried to find publishers, but I never wanted to stop photographing to promote my photography.

Now living and working in New York she says in this interview at 2point8 that:

The medium format camera satisfies me. It can be transported easily and is mechanically sound. My challenge is not format or color, but deepening my perception and range of ideas. I am interested in making expressive pictures. Black and white pictures work for me as poetry and metaphor in a way that color does not. I have tried color and I have tried digital. Neither gives me the sense of depth that I feel with black and white. Good images come slowly. 6 X 6 film is my “page”..