Mandy Martin, Puritjarra 2, 2005. For further information on MANDY MARTIN, refer here: http://www.mandy-martin.com/
If there are diverse kinds of knowledge and ways of knowing place, then we need to learn to value the different ways each of us sees a single place that is significant, but differently so, for each perspective.
adrift on a sea of information at a time when the world's night is a destitute time. In the age of the world's night, the abyss of the world must be endured.
--Adelaide is home. Relaxation is Victor Harbor. I'm a frustrated photographer who has lost his way in life.I have trouble coping in the technological mode of being of our complex digital world.
I watched a DVD of U2's 1988 film Rattle and Hum the other night. The film was supported by a double-album soundtrack that was divided between live tracks and new material that embraced American roots music. The film incorporates live footage with studio outtakes and band interviews.
The interviews were boring and informative.The band members were posing as "rock's most important band", they were full of their self-importance, whilst their live music was leaden and heavy handed. The album was a decline from the earlier Joshua Tree. U2 looked like rock tourists in America making all the right moves as rock stars and going to the right sites to establish their rock credibility in the US.
The next album, Achtung Baby, completely changed U2's sound and style. The crashing, unrecognizable distorted guitars that open "Zoo Station" are a clear signal that U2 have traded their Americana pretensions for postmodern, contemporary European music.
The heavy dance beats,the multiple synthesizers, the dense soundscapes marked this '90s album.
| Posted by Gary Sauer-Thompson at 4:56 PM | Permalink
