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Taliesin West « Previous | |Next »
April 28, 2008

With the commision money he earned from the Falling Water home in Pennsylvania Frank Lloyd Wright bought 500+ acres in Scottsdale, AZ. At the time Scottsdale was a little desert outpost with about two hundred residents, not the trendy fashion-laden suburb it is now. Wright used his land, Taliesin West, to develop ideas on Organic Architecture as well as establish an architectural school for many students. Plus it allowed him to avoid the bitter Wisconsin winters.

Great room

Many innovations came out of Taliesin West; the great room as seen in the photo above, track lighting, floor lighting that could be walked on, use of steel reinforcement in concrete, rooms that integrated with the landscape and canvas roofing that allowed for uniform natural light to flow into the room. We can celebrate Wright as innovator, but we can't really celebrate him at Taliesin West as a designer. The place looks cheap, nasty, haphazard, unfinished, incoherent and inconsistent. It is not 'designed' but rather reflects the changing and eccentric interests of Wright himself.

A good example of the inconsistency is the Asian sculptures. They are ceramic and he picked them up cheaply in a crate because they were broken. They do not fit with the buildings or site at all, rather they just represent his cheap nature and interests. But then Wright was cheap except when he was expensive. His bathroom in his bedroom has polished aluminium walls and fixtures; which cost a fortune back then. That style is common and fashionable (as well as expensive) today, so he was innovative, but again it just represents his whimsical interests rather than being an integrated and flowing design.

Still; the place definitely has its moments, like the sloped and triangular buttresses of the design offices[below].

Design room

Taliesin West is worth a look but it is not a showroom. It is basically the physical constructs stemming from the changing and incoherent interests of an innovative and difficult man. It is no architectural nirvana.

| Posted by cam at 7:34 AM | | Comments (7)
Comments

Comments

Cam,
the inside room looks very light and it is spacious--it makes a radical break with the dark inside cluttered world of Victorian architecture.

Pam, Yeh I liked the canvas (now acrylic) roof which let in even light. The photo makes that room look better than it was. It was pretty cheap and mungy. It was also probably the most coherent room in the place too and the closest thing to a normal room in a modern house.

Cam,
the windows give privacy and light. They are repeated today in student buildings.

Cam,
if Wright argued that "form and function are one" and held that organic architecture strives to integrate space into a unified whole, then Taliesin West is a failure.

Your photos look quite from this set, but less so here.

Interesting desert architecture thought. Much better than the tin sheds and batches I saw in Canterbury /Westland in New Zealand.

Phoenix is very adventurous in private (not so much in public) architecture. Even if Wright's Taliesen West isn't what it promises to be, Phoenix has sort of riffed on it and is one of the more interesting cities architecturally in the US.

Cam,
what are the public spaces of the sunbelt Phoenix like? Are they full of people rather than cars? Do they function as piazzas?

Yes, the hikes are heavily trafficked. Restaurants spill over into the mall parking spaces and vie for space with cars. It is much like Sydney. There are what Americans called paved and open air malls that are more public than commercial spaces too. They have restaurants and public buildings on their edges. I really like the outdoor life/culture/attitude of Phoenix. I feel very at home here.