oh, how amazing, I am going to look at this review.
I am currently trying to put together something about this very topic, and have been struggling to relate my constant reference to horizons and seascapes (in my paintings and drawings)
to the process of remembering, and trying to write about this.

"We don't gaze at nothingness. We are immersed in a natural time that is quite different from the clocktime of industrial and postindustrial capitalism that defines our work life."

and also a kind of multiple temporality, of all time, of the past within the present, of times when this horizon may be crossed, the horizon a liminal place, where one thing becomes another. A metaphor for the possiblity of edging beyond "industrial " time.

Love the photos, love the writing.

Fiona
In the review Roberts mentions Gaston Bachelard's challenge to the Bergsonian notion of time as duration (durée) in 'Duration and Simultaneity' and 'Matter and Memory.'

Bachelard is interesting. He critiqued our old idea of space as a neutral dimension in which matter moves about was hopelessly mistaken. Similarly, with time--it could not be seen as a kind of 'line' stretching from the future to the past along which events occur. His argument is that lived time is essentially fractured, interrupted and ‘teemed with lacunae’. He posits a dialectical temporality made up of rhythms and discontinuities. Lived time is fractured, interrupted and not 'single' and continuous. Bachelard argues that there is no one underlying thread - that time is multiple and discrete.

I don't know Bachelard's The Dialectic of Duration (Manchester, Clinamen Press, (2000) Do you?