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Mandy Martin, Puritjarra 2, 2005. For further information on MANDY MARTIN, refer here: http://www.mandy-martin.com/
If there are diverse kinds of knowledge and ways of knowing place, then we need to learn to value the different ways each of us sees a single place that is significant, but differently so, for each perspective.
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The best in us has perhaps been inherited from the sensibilities of earlier ages to which we hardly any longer have access by direct paths; the sun has already set, but the sky of our life still glows with its light, even though we no longer see it. (Nietzsche, Human, All Too Human)
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www.thought-factory.net
looking for something firm in a world of chaotic flux
American photography: James Welling « Previous | |Next »
September 25, 2012

James Welling The Mind on Fire at the MK Gallery looks back to Welling's work in' the Pictures Generation', a group of artists working in New York in the 1980s.

WellingJSummation.jpg James Welling, Summation, 1981(detail). Inkjet print.

This period of experimentation generated numerous collages, paintings, notes and ephemera before culminating in a number of iconic series: minutely crumpled aluminium foil evoking starry skies or lunar landscapes; luxurious drapes sprinkled with dough suggesting snow-capped mountain ridges; and abstract colourfields appearing as sun-drenched horizons.
| Posted by Gary Sauer-Thompson at 6:27 AM |