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July 5, 2008
Via designboom: Hiroshi Sugimoto is having a retrospective that includes his seascapes. Like Kenna's work there is a simplicity to these photographs but without the stark and strong contrasts that dominate Kenna's compositions.
When working in a public space Sugimoto chose to use the technology of the camera to shroud the visuals in a blurry mist to see what remained. This is closer to Titarenko's visual capturing of human movement through an area. Both use photographic technology to seek non-obvious forms that are permanent in transient and fluid scapes.
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Quick note: Sugimoto's style using a famous Sydney landmark.