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Mandy Martin, Puritjarra 2, 2005. For further information on MANDY MARTIN, refer here: http://www.mandy-martin.com/
If there are diverse kinds of knowledge and ways of knowing place, then we need to learn to value the different ways each of us sees a single place that is significant, but differently so, for each perspective.
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--Adelaide is home. Relaxation is Victor Harbor. I'm a frustrated photographer who has lost his way in life.I have trouble coping in the technological mode of being of our complex digital world.

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If the time is destitute because it lacks the unconcealedness of pain, death and love, then in postmodernity we are experiencing a shift from the texts of literature to images produced by various visual regimes. We now live embedded in a visual culture.
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Our time is the traumatic and meaningless situation of the collapse of everything previous thought had relied on
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The best in us has perhaps been inherited from the sensibilities of earlier ages to which we hardly any longer have access by direct paths; the sun has already set, but the sky of our life still glows with its light, even though we no longer see it. (Nietzsche, Human, All Too Human)
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www.thought-factory.net
looking for something firm in a world of chaotic flux
British photography: Andy Sewell « Previous | |Next »
December 13, 2010

Andy Sewell is more an English photographer than a British one from judging from his body of work entitled The Heath. This is about a world that is simultaneously urban and wild

SewellAHeathsticks.jpg Andy Sewell sticks, The Heath

The Heath refers to Hampstead Heath; a managed green space in London that feels wild. It is a place of trees, tall grass and thickets. A third type of 'landscape' I guess. An urban forest.

SewellATheHeath018.jpg Andy Sewell bush, The Heath

Hampstead Heath is rambling and hilly, embracing ponds, recent and ancient woodlands, a lido, playgrounds, and a training track.

| Posted by Gary Sauer-Thompson at 9:35 PM |