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Mandy Martin, Puritjarra 2, 2005. For further information on MANDY MARTIN, refer here: http://www.mandy-martin.com/
If there are diverse kinds of knowledge and ways of knowing place, then we need to learn to value the different ways each of us sees a single place that is significant, but differently so, for each perspective.
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If the time is destitute because it lacks the unconcealedness of pain, death and love, then in postmodernity we are experiencing a shift from the texts of literature to images produced by various visual regimes. We now live embedded in a visual culture.
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Our time is the traumatic and meaningless situation of the collapse of everything previous thought had relied on
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The best in us has perhaps been inherited from the sensibilities of earlier ages to which we hardly any longer have access by direct paths; the sun has already set, but the sky of our life still glows with its light, even though we no longer see it. (Nietzsche, Human, All Too Human)
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www.thought-factory.net
looking for something firm in a world of chaotic flux
Jennifer Joseph « Previous | |Next »
November 10, 2008

A Melbourne artist, whom I know little about.

JosephJForeverFriday.jog.jpg Jennifer Joseph, Forever Friday, 2007, acrylic, gesso, sand (from Shoalhaven River), pumice, kaolin and/or calcite on linen (polyptych)

I cannot find much on the internet either. So the image stands for itself.
| Posted by Gary Sauer-Thompson at 6:07 PM | | Comments (1)
Comments

Comments

Love the old corrugated iron. One of my favourite photos I took in Australia was a shutting up of the shed at dusk. Several years ago I went looking for corrugated iron wallpaper, I wanted to deck the lower half of a room in a faux corrugated iron - it is an ethnic thing I guess - no one made it. Which surprised me.

Posted by: cam | November 16, 2008 1:14 AM