Mandy Martin, Puritjarra 2, 2005. For further information on MANDY MARTIN, refer here: http://www.mandy-martin.com/
If there are diverse kinds of knowledge and ways of knowing place, then we need to learn to value the different ways each of us sees a single place that is significant, but differently so, for each perspective.
adrift on a sea of information at a time when the world's night is a destitute time. In the age of the world's night, the abyss of the world must be endured.
--Adelaide is home. Relaxation is Victor Harbor. I'm a frustrated photographer who has lost his way in life.I have trouble coping in the technological mode of being of our complex digital world.
The Bo Diddley beat is one of rock & roll's bedrock rhythms. He produced a catalog of classics in the late 1950s---"You Don't Love Me," "Diddley Daddy," "Pretty Thing," "Diddy Wah Diddy," "Who Do You Love?," "Mona," "Road Runner," "You Can't Judge a Book by Its Cover" —that rival Chuck Berry's songs in quality whilst being more primal:
After 1963, he never wrote or recorded any original material on par with his early classics. It was Chuck Berry of the early rock & roll artists who was most crucial to the development of the music.
Some light-hearted fun at the expense of the British bands that covered Bo Diddley's material:
| Posted by Gary Sauer-Thompson at 8:03 AM | Permalink
