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December 4, 2003
I've always admired the visual language of Walker Evans:
As Evans put it, photography is the most literary of the graphic arts.
Looking at American Photographs I'm continually reminded of the economic style of Ernest Hemingway or William Carlos Williams.
It has that sparse expressive pictorial style.
Rather than recording or documenting a historical aspect of American life American photographs make American life speak.
In doing so the book helped to define 1940s America as a particular culture in the process of change.
Evans posed the issue of language in one of his books, Amercian Photographs. What then is an American photograph? Therein is posed a problem of interpretation.
This more than the question: 'what is an American photograph?
Why so?
Because our experiences are within language.
"We are, then, within language and with language before all else." Heidegger.
So the question is: 'In what relation do we live the language we speak, write and shoot?
That is one way to read American Photographs.
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language is like a tool.. we use it to communicate, to convey meaning, to entertain and/or to think about the world [amongst many other things]..
some guy called Rugden once said - When the only tool you possess is a hammer, every problem looks like a nail.
in the same way, the use of language effects the way we experience the world, and i think this is what Heidegger meant by us being within and with language..
and perhaps this is what you meant by "live the language"?
btw, i'd just like to thank you for sharing your eclectic interests in imagery.. i hope quiggan is taking notes..