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Mandy Martin, Puritjarra 2, 2005. For further information on MANDY MARTIN, refer here: http://www.mandy-martin.com/
If there are diverse kinds of knowledge and ways of knowing place, then we need to learn to value the different ways each of us sees a single place that is significant, but differently so, for each perspective.
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If the time is destitute because it lacks the unconcealedness of pain, death and love, then in postmodernity we are experiencing a shift from the texts of literature to images produced by various visual regimes. We now live embedded in a visual culture.
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The best in us has perhaps been inherited from the sensibilities of earlier ages to which we hardly any longer have access by direct paths; the sun has already set, but the sky of our life still glows with its light, even though we no longer see it. (Nietzsche, Human, All Too Human)
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www.thought-factory.net
looking for something firm in a world of chaotic flux
British photography: Sarah Amy Smith « Previous | |Next »
December 17, 2010

Sarah Amy Smith was born and brought up in Cornwall and her photography of the area is expressed in in her 'Of Land and Sea' project that is shot using a Mamiya 7 Rangefinder camera.

SmithSACaravan.jpg Sarah Amy Smith, Caravan, from Of Land and Sea

This series is Smith or rather Falugo's sympathetic portrait of people and place is done in a documentary style in which people and the architecture are situated within their landscape.

| Posted by Gary Sauer-Thompson at 4:52 PM |