Thought-Factory.net Philosophical Conversations Public Opinion philosophy.com Junk for code

Mandy Martin, Puritjarra 2, 2005. For further information on MANDY MARTIN, refer here: http://www.mandy-martin.com/
If there are diverse kinds of knowledge and ways of knowing place, then we need to learn to value the different ways each of us sees a single place that is significant, but differently so, for each perspective.
RECENT ENTRIES
SEARCH
ARCHIVES
Library
Thinkers/Critics/etc
WEBLOGS
Australian Weblogs
Critical commentary
Visual blogs
CULTURE
ART
PHOTOGRAPHY
DESIGN/STREET ART
ARCHITECTURE/CITY
Film
MUSIC
Sexuality
FOOD & WiNE
Other
www.thought-factory.net
looking for something firm in a world of chaotic flux

another way of looking « Previous | |Next »
June 1, 2006

Rover Thomas had a profound impact on the Indigenous art of the Kimberely area in both social and economic terms. The modern history of the Kimberleys is marked by several significant events including the confrontations between white and black, often resulting in massacres of Aborigines, forced migrations of peoples, and the flooding of vast areas of country. Thomas' work re-interprets this history from the indigenous perspective - unlike the 'official' history found in school books.

ThomasRC2.jpg
Rover Thomas, Crossroads, 1997, Etching

Rover Thomas has forced non-Indigenous Australians to re-evaluate their own perspectives of the Australian landscape, its people and its history. Instead of the common Eurocentric view of Aboriginal art that is often applied to indigenous paintings we can adopt an Aboriginal-centric perception of Western art.

A catalogue of interest.

| Posted by Gary Sauer-Thompson at 11:22 PM | | Comments (1)
Comments

Comments

jpgs dont translate the sheer colour of these paintings well either. In person, like all art, they are far more stunning in colour.