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Mandy Martin, Puritjarra 2, 2005. For further information on MANDY MARTIN, refer here: http://www.mandy-martin.com/
If there are diverse kinds of knowledge and ways of knowing place, then we need to learn to value the different ways each of us sees a single place that is significant, but differently so, for each perspective.
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Ballarat International Foto Biennale: alternative photographic processes « Previous | |Next »
October 2, 2009

I'm off to see the Ballarat International Foto Biennale this weekend. We decided early this morning to go. We are driving from Adelaide, leaving early this afternoon, staying at a pet friendly accommodation just passed Horsham tonight. We found some pet friendly accommodation in Ballarat, and so we can spend two days in Ballarat looking at the photographic exhibitions--both core and fringe--- n the company of Stuart Murdoch --s2art--- who is coming up from Melbourne.

We plan to return to Adelaide on Monday via the Gampians, Penola and the Coorong as I will be looking for possible future photographic trips. The Coorong is what I have my eye on with large format in mind.

Whilst in Ballarat I hope to see some of the images produced by those working in the historical or alternative photographic processes, such as Silvi Glattauer or Wendy Currie.

CurrieWlobsterpots.jpg Wendy Currie, Lobster Pots, cyanotype

This work is very different and it highlights how much photography is a part of the hand crafted printmaking tradition.

There is an extensive body of work being shown in the Trentham Fringe

| Posted by Gary Sauer-Thompson at 1:33 PM |