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Mandy Martin, Puritjarra 2, 2005. For further information on MANDY MARTIN, refer here: http://www.mandy-martin.com/
If there are diverse kinds of knowledge and ways of knowing place, then we need to learn to value the different ways each of us sees a single place that is significant, but differently so, for each perspective.
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If the time is destitute because it lacks the unconcealedness of pain, death and love, then in postmodernity we are experiencing a shift from the texts of literature to images produced by various visual regimes. We now live embedded in a visual culture.
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Our time is the traumatic and meaningless situation of the collapse of everything previous thought had relied on
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The best in us has perhaps been inherited from the sensibilities of earlier ages to which we hardly any longer have access by direct paths; the sun has already set, but the sky of our life still glows with its light, even though we no longer see it. (Nietzsche, Human, All Too Human)
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Neverhappen
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Scrawl
Urban Light

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Daily Dose
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Low Revolution
Spudooli
terror kitten
 The F Blog

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Mark Kimber
Murray Fredericks
Lauren Hewitt
Robert McFarlane
Graham Miller
Stravos Pippos
Silvertrace--Sam Oster
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stunik.com
Steve Wilson

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Stefan Beyst
Edward Burtnsky
Simon Norfolk
James Natchtwey
Amy Stein

Photographic Galleries


Australian Centre for Photography
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Huw Davis Gallery
Light journeys
Point Light
Stills Gallery
Queensland Centre for Photography

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Catherine Edelman Gallery
Photoeye
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Ahorn Magazine
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Altfotonet on Flickr
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Oculi

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Photoforum-NZ
Photo Muse
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Stencil Graffiti
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an affair with urban policy
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University of Sydney Architecture
Van Alen Institute: Projects in Public Architecture
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Musicblogs

Flop Eared Mule
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Wilco
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Music

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The Foundry
George Graham
Roger Lee Reviews
John McFerrin's Reviews of Music
Music Box
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Neumu
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Wilson & Alroy's Rock Reviews

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All About Jazz
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History of Electronic Music
DJ Martian's Page
Gadflyonline
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Oz Music Project
Musical Time
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Real Country
Rock Critics.com
Rock's Backpages
Rough Guide to Music
Piero Scaruffi's History of Rock Music
The Smile Shop

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Maggie Beer
Stephanie Alexander
Henschke
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www.thought-factory.net
looking for something firm in a world of chaotic flux
Francis Bacon #8 « Previous | |Next »
April 8, 2005

Francis Bacon's paintings are disturbing. His images present active figures who are defined by their activity, but their activity is fraught with violence.

BaconFself-portrait1.jpg
F. Bacon, Self-Portrait

This figure expresses violence, isolation, and pain of modern subjectivity. It is an images of pain and suffering it does not solicit our sympathy. We do not identify with it.
| Posted by Gary Sauer-Thompson at 2:06 AM | | Comments (0)
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