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Mandy Martin, Puritjarra 2, 2005. For further information on MANDY MARTIN, refer here: http://www.mandy-martin.com/
If there are diverse kinds of knowledge and ways of knowing place, then we need to learn to value the different ways each of us sees a single place that is significant, but differently so, for each perspective.
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oh my goodness « Previous | |Next »
September 23, 2003

This link is courtesy of the delightful and very informative Eye-Imagine. Philip is a very fine exponent of the text-image weblog.
AusPhoto1.jpg
Richard Daintree (1832–1878) Bush Travellers, Queensland [between 1864–1870, painted in London by unknown artist c.1870]oil on albumen photograph on canvas (44.0 x 60.7 cm) National Library of Australia

Now why would you do that to this Manet:
Manet1.jpg

Why, that was before postmodernism. So what is the point? A joke? It is more than a perfect example of the pictorial exchanges that took place around the world. That is just art historical talk for influence.

Australia was seen as downunder an upsidedown world to Europe in the nineteenth century. Is this a reverse? Culture as parody?

Or was Australia always postmodern? A pastiche culture with no centre?

| Posted by Gary Sauer-Thompson at 10:49 PM | | Comments (0)
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