January 2, 2008
Jacques Rancière in his recent book, The Politics of Aesthetics, states that he is concerned here with “aesthetic acts as configurations of experience that create new modes of sense perception and induce novel forms of subjectivity”.
So what are new modes of sense perception? It is a seeing differently to our habitual ways of seeing---- to the previously established "distribution of the sensible", of what is visible, what can be said and done in our neoliberal world?
Gary Sauer-Thompson, Schramm's Service Station, Coleraine, Victoria, 2007
So it would be a disengaging from, and a seeking to alter, the ways of seeing, feeling and experiencing in our neoliberal network society (society of the post-spectacle, of the simulacrum, of the proliferation of electronic media and their saturation of the real).
So what configurations of experience would create new modes of sense perception? It's not just looking at objects. It disputes or challenges the way that a given society distributes the “conditions of possibility” for what can (and what cannot) be sensed, felt, and spoken about, and what cannot; and it refers to bringing the people back into the discussion.
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So we no longer talk in terms of looking at a work of art’s “ideology,” nor of asking what the artwork’s actual political “efficacy” might be? Is that right. It's a break away from the Marxist stuff of the 1970s that was strong in Adelaide, courtesy of Medlin's Politics and Art course at Flinders University.