Thought-Factory.net Philosophical Conversations Public Opinion philosophy.com Junk for code

Mandy Martin, Puritjarra 2, 2005. For further information on MANDY MARTIN, refer here: http://www.mandy-martin.com/
If there are diverse kinds of knowledge and ways of knowing place, then we need to learn to value the different ways each of us sees a single place that is significant, but differently so, for each perspective.
RECENT ENTRIES
SEARCH
ARCHIVES
Library
Thinkers/Critics/etc
WEBLOGS
Australian Weblogs
Critical commentary
Visual blogs
CULTURE
ART
PHOTOGRAPHY
DESIGN/STREET ART
ARCHITECTURE/CITY
Film
MUSIC
Sexuality
FOOD & WiNE
Other
www.thought-factory.net
looking for something firm in a world of chaotic flux

Australian photography: Bronek Kozka « Previous | |Next »
August 30, 2011

Bronek Kozka, the Melbourne-based photographer and a lecturer at the Royal Melbourne Institute of Technology (university), has been confirmed for the Turner Galleries in North Perth during FotoFreo 2012 as part of the core programme of the Festival.

His photography also explore the notion of suburbia using as reference points ‘suburbian’ imagery from movies, commercials and advertising. He is interested in the disparity between how suburbia is shown through these mediums and to people’s own memory of growing up in suburbia.

KozkaBhholden.jpg Bronek Kozka, EH Holden, from Memory: Pandora's Hippocampus, 2008, digital print on paper,

The suburban landscape, be it outdoors or interiors, is the staging ground for the “re-enactments” that often appear to be cinema based in that they are carefully constructed tableaus, cast with actors playing their various roles, propped and lit, with every detail considered and controlled.

Kozka says the EH Holden image:

appears on the surface to be a very natural scene when in fact, it is a little too perfect, like a dream. The way the light falls and the green foliage. A perfect mood surrounds the couple in the car, parked on the steely grey of the wet road... it is, of course a recollection, it is a memory. EH Holden draws on my memory and the collective memory of the freedom my first car gave me. It is a freedom, out of sight and control of parents. On one level, this image celebrates freedom, on another level; there is a sense of melancholy and regret, both inescapable outcomes of freedom.

He adds that the idea of holding on to memories is also of great interest to me. In our lives we often attempt to document all aspects of our lives, snapping photos, recording videos and now, endlessly posting our activities and whereabouts on Facebook and the like. The thought of losing our memories and our history terrifies us. In losing these memories, we fear losing who we are.

| Posted by Gary Sauer-Thompson at 4:30 PM |