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November 15, 2004
Francis Bacon, Study for a Portrait, 1970
From Daniel Smith's Introduction:
"The question Deleuze poses to an artwork is not “What does it mean?” but rather “How does it function?” Deleuze thus treats Bacon’s work as a multiplicity (although he does not use this term in the book) and attempts to isolate and identify the components of that multiplicity. Deleuze frequently returns to the three simplest aspects of Bacon’s paintings—the Figure, the surrounding fields of color, and the contour that separates the two—which taken together form a “highly precise system” that serves to isolate the Figure in Bacon’s paintings."
That requires us to think.
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