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Mandy Martin, Puritjarra 2, 2005. For further information on MANDY MARTIN, refer here: http://www.mandy-martin.com/
If there are diverse kinds of knowledge and ways of knowing place, then we need to learn to value the different ways each of us sees a single place that is significant, but differently so, for each perspective.
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Syd Barrett + Pink Floyd « Previous | |Next »
July 12, 2006

I heard that Syd Barrett had died on the radio this morning along with snippets from 'Shine On You Crazy Diamond' from the 1975 Wish You Were Here album. Barretttook too many drugs, and the LSD, slowly wore him down. Laid low by mental illness he lived as a social recluse for the last 30 years. He looked terrible in a late photo that I saw--very obese.

PinkFloyd.jpg I once owned 'The Piper at the Gates of Dawn', Pink Floyd's debut album, and the only one made under Syd Barrett's leadership.

I remember the melodic instinct and whimsical lyrics and crazy feedback experiments and astral jams; recall the spacey 'Astronomy Domine' and the album pivoting around "Interstellar Overdrive," the 16-minute trip to end all trips. No lyrics, no structure - just one awesome riff and a leap into the unknown with throbbing bass lines, slashing guitars, whirling organ, and pounding percussion. It was nine minutes of loosely structured experimentation and jamming. I do not know Barrett's solo albums, 'The Madcap Laughs' and 'Barrett.'

I haven't heard Piper since. I understand it is now seen as a classic psychedelic album as an expression of Swinging London, very influential (meaning Bowie?) and fondly remembered by Pink Floyd fans. I understand that Barrett became a spiritual pied piper of 80s indie rock and by the 90s his spellbinding music was being referenced by all and sundry.

I'm not a fan of Pink Floyd, even if I enjoyed the 'Live at Pompeii video' on television. I dipped in and out of Pink Lloyd ---'Ummagumma', 'Atom Heart Mother', 'Meddle'--but found that the band were struggling to find their way as progressive" rock, after they sacked Barrett some time around the second album--- 'A Saucerful Of Secrets'. The work was hit and miss. The music became more inflated, bombastic and less interesting ---until 'Dark Side Of The Moon', and that, of course, changed everything. It is the "sound landscape", that makes this a noteworthy album.

I did find 'Wish You Were Here' poignant as it reached back to Barrett in the form of a requiem. I haven't heard 'Animals' (1977), even though it sounds an interesting reworking of Orwell's Animal Farm. I I stopped listening after 'The Wall', as Pink Floyd had became Roger Waters+session men, even if I enjoyed the band's fabulous visual effects of The Wall shows in 1980-81. I have never listened to the Pink Floyd without Roger Gilmour---'The Division Bell' or 'Pulse'--- as the band was not creating something new or original. Their time had passed.

Update: 16 July
I went and bought 3 CD's of Pink Floyd ---'The Piper at the Gates of Dawn', 'Dark Side Of The Moon', and 'Animals' -- today before the cheap priced CD's ($20) disappear and we are back to imports at $40. 'Dark Side Of The Moon', was reconnecting with well known music of a long time ago---I recognize that it was part of the soundscape to my life. 'Animals' is going to take many a listen to hear it properly.

| Posted by Gary Sauer-Thompson at 11:56 PM | | Comments (4)
Comments

Comments

Hi there

Really interesting blog. Would you mind linking my blog on your front page. I will obviously do the same with yours. Thanks

Paul Carr

PS - My url is http://musing.weblog.glam.ac.uk/

Hi Paul,
good to hear from you.I've linked to Popular Musing--it's classified under culture for the moment.

Gary:

The rock writer Mick Wall, found through rock photographer Ross Halfin , has some interesting notes on the passing of Barrett. Brutally interesting.

See his July 13th post

Dave,
Thanks for the link. I tracked down Mick Walls blog and his entry on Syd Barrett. He says:

Poor old Syd though. Acid was never the problem, of course. Not really. It was what was already lurking inside that did for that poor bastard. The same as for most of us, one way or another, if you think about it.

Is read words that cut through all the bullshit and crocodile tears in the rock business?

Walls is very prolific. An interesting fellow. I see that he is writing a book on Syd Barrett.I notice that Classic Rock magazine, which Walls referred to, is not online. And though Kerrang is online,and concerned with the British Heavy Metal scene. I cannot judge the critical writing about music as it ia not online.

Most of this journalism seems to be very much tuned to radio and TV to consumption of the music plus trade publicity and marketing. What writing I've read strikes me as in the 'Charles Bukowski' vein.

How do you go from heavy metal to Syd Barrett and the psychedelic music of the late 1960s? Biography? In Australia we don't have the digital TV to support this kind of journalism.