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Mandy Martin, Puritjarra 2, 2005. For further information on MANDY MARTIN, refer here: http://www.mandy-martin.com/
If there are diverse kinds of knowledge and ways of knowing place, then we need to learn to value the different ways each of us sees a single place that is significant, but differently so, for each perspective.
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June 12, 2007

Photography is sometimes described as "the art of seeing" - by which is often meant impressions created by light. Is this modernist account plausible?

Now we often view the landscape from inside cars:

PetrelCove.jpg
Gary Sauer-Thompson, looking towards Petrel Cove, Victor Habor, 2007

And so we "see as tourists". Sometimes we see "the landscape" from airplanes:

plane1.jpg
Gary Sauer-Thompson, between Adelaide and Canberra, 2007

This is a very fragmented mode of seeing and any given instance is more or less meaningless. To understand what we are seeing requires a context to be contributed from the viewer. They are interpreting the image.

'We' does not just mean humans and so what we "see" is quite different:

AriC.jpg
Gary Sauer-Thompson, Ari, 2007

Photography is about creating meaning from a continuous stream of visual information is it not? We are just using images rather than words. 'Creating meaning' refers to interpreting the world.

Now some talk in terms of photographic 'messages.' So what would be the photographic message a of a tree on hill. Some would say that, well , a hill is a hill, a tree is a tree. No cultural code is needed, since everyone, pretty much regardless of culture, can see and recognise hill and tree.

Or they simply understand the message of the Abu Ghraib photos.

| Posted by Gary Sauer-Thompson at 10:26 AM | | Comments (4)
Comments

Comments

Hey wheres the porcupine gone?

FTH,
the poodles have a say in who travels in the car. Porcupines are what is to be hunted outside the car. One poodle barks like crazy to scare the mammal, whilst the other digs a hole under the porcupine. Porcupine rolls in, exposes belly and poodles pounce.

Aren't porcupines called echidnas in Australia?

I love framing shots from the car. How often do we only experience a familiar landscape through that frame? It sets up a sense of the journey.
I like to photograph Lake jindabyne through the windscreen. Like the one above, everything appears to converge at some point out to sea, gives a sense of rushing towards it.
Was talking recently about photos and how, till now, they were the residue of light, but now they are traces of information.
I tell you, that dog is the best. It adds ambiguity to whatever landscape it appears in.

Fiona,
I've always had trouble understanding photography as 'traces or residues of light.' The images are bits of information that need interpretation. Hence we have a process of cultural meaning.