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Mandy Martin, Puritjarra 2, 2005. For further information on MANDY MARTIN, refer here: http://www.mandy-martin.com/
If there are diverse kinds of knowledge and ways of knowing place, then we need to learn to value the different ways each of us sees a single place that is significant, but differently so, for each perspective.
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the politics of country music « Previous | |Next »
February 25, 2007

An interesting article on country music at American Prospect----When Country Went Right by J. Lester Feder. He says that though country music is now married into the conservative movement -- it wasn't born there.

Country music's roots are as much populist as reactionary. Always fiercely allied with working people, the earliest country stars were old enough to have campaigned for populist champions like Tom Watson; FDR was celebrated in songs of the Depression; and Merle Haggard and Johnny Cash were feted by liberals for speaking up for the downtrodden in the '60s. Country music only became synonymous with mainline conservatism -- indeed, only became consistently political -- in the late '60s, a shift that not only helped buoy Richard Nixon into the White House, but reshaped the media landscape. The wars of the Dixie Chicks are the legacy of these years, but so are Rush Limbaugh, Bill O'Reilly, Fox News -- the conservative noise machine itself. The idea of values-based marketing to conservatives began with country music.

Feder misses Woody Guthrie, who was aligned with leftwing populism in the 1930s and 1940s. THe was such a contrast to the the hard-working farmer, love-rich poor folk, patriotic fighting men, and devoted Christians make the music "the voice of your 'Silent Majority'" of the 1970s and 1980s.

| Posted by Gary Sauer-Thompson at 5:27 AM | | Comments (5)
Comments

Comments

There is frequent confusion among liberal-minded listeners between the common-man advocacy of someone like Merle Haggard and the liberal values such listeners may assume are the natural outcome of such beliefs. Haggard claimed his right-wing hit "Okie from Muskogee," in which a Vietnam soldier railed against war protest as a form of betrayal, was a caricature of ignorance, but it was an anthem for the right, and he followed it up with "The Fightin' Side of Me," which was a quite straightforward justification for beating up hippies.

Despite his championing of the economic lower class in the early 1970s, I really don't see how he qualifies as "speaking up for the downtrodden," and sincerely doubt this occurred in the 1960s. Haggard only began recording music in 1965, and was part of the late '60s movement which solidified the conservative voice as the singular voice of late-twentieth-century American country music. Populism and conservatism are by no means exclusive, and the Left maintains this illusion at its peril.

Jeremiah,
you are right. There is a conservative populism in Australia and the US and it is very powerful in both countries.

I do't know much about the music of Merle Haggard,as I never listened to it. (I came to country music from Woody Gutthrie and the Bryds' Sweethearts of the Rodeo and Gram Parsons.) But your reading of Haggard's music accords with my understanding, and that of Lester Feder. The latter writes:

If one person can be credited with discovering that market [conservative populism] it is arguably Merle Haggard, who stumbled upon it with his 1969 hit, "Okie from Muskogee." Haggard claims the "Okie" character, who mocks hippies, anti-war protestors, and student activists, was a parody. But if Haggard wrote the song in jest, he quickly realized that he had nailed the feelings of millions of conservative Americans who felt forgotten by popular culture. Haggard told Penthouse Magazine in 1976, the song "said something to those people who were called 'the silent majority.' Finally, they were having something said [on] their behalf, and they really came unwound when they heard it said the way they wanted to hear it said."

I have no way of judging Haggard's claim about Okie.

Conservative populists in Australia are sometimes known as working class Tories.

There may be some retrospective spinning in Hag's view of Okie nowadays but from everything we know his claim to have written it while high on dope on his tour bus is pretty credible! It's important to note also that between Okie and Fightin' Side of Me he wrote and recorded "Irma Jackson" which is a passionate defence of inter-racial love (which his label refused to release.) So, as usual, there's more going on.

Anyway, now he goes around comparing Bush to Hitler ... so there you go. ;-)

Amanda,
I guess that conservative populism has changed in the last 20-30 years. Under Bush the movement of conservative populism looks quite different to what it was under Nixon and Reagen.

On an aesthetic note I would downplay the intention of the artist in favour of the reception by the audience. 'Okie' and 'Fighting Side of Me' were interpreted---for good reason --- as expressions of a conservative way of life at the height of the Vietnam War protests directed at the long haired San Francisco hippies (eg., the line ''We don't smoke marijuana in Muskogee/We don't take our trips on LSD'').Politically this good music was a protest against social liberalism and the Vietnam protestors.

There is a lot of differences in this: eg similar re-interpretation happened to Bruce Springsten's 'Born in the USA'; and the Grateful Dead reinterpreted Merl Haggard songs --eg,

I mostly interpret the familiar country themes – jail, betrayal, drinking and wandering---as white, working man's "blues": an expression of pain of the common man and woman living in the USA.

Speaking of the politics of country music:

A song by Dr Bruce L. Thiessen, aka, Dr. BLT of Bakersfield, California, paying tribute to Merle Haggard's fighting side is climbing this chart, jumping over 1200 notches in one week to land at number 243 this week:

http://www.neilyoung.com/lwwtoday/lwwsongspage.html

The Dr. BLT song that proceeded it, Neil Young (Have you Forgotten), hit #1 on this chart back in July of 2006 and now rests at #155. It was also named the # 8 Best Record of 2006 by Blogcritics magazine writer, Al Barger here:

http://www.morethings.com/music/best_songs_2006.htm

The Merle Haggard tribute song can be heard and downloaded for free at the site of the chart or here.

Merle Hasn't Lost His Fightin' Side
Dr BLT
words and music by Dr Bruce L. Thiessen, aka Dr. BLT (c) 2007
http://www.drblt.net/music/MerleVeryLast.mp3