Thought-Factory.net Philosophical Conversations Public Opinion philosophy.com Junk for code

Mandy Martin, Puritjarra 2, 2005. For further information on MANDY MARTIN, refer here: http://www.mandy-martin.com/
If there are diverse kinds of knowledge and ways of knowing place, then we need to learn to value the different ways each of us sees a single place that is significant, but differently so, for each perspective.
RECENT ENTRIES
SEARCH
ARCHIVES
Library
Thinkers/Critics/etc
WEBLOGS
Australian Weblogs
Critical commentary
Visual blogs
CULTURE
ART
PHOTOGRAPHY
DESIGN/STREET ART
ARCHITECTURE/CITY
Film
MUSIC
Sexuality
FOOD & WiNE
Other
www.thought-factory.net
looking for something firm in a world of chaotic flux

Kill Bill « Previous | |Next »
January 09, 2006

Vol. 1 that is. I have yet to see Vol 2.

But I've finally got around to see the amalgam of low-budget samurai imports, Chinese martial arts films, spaghetti Westerns and exploitation flicks of yesteryear. I found it very stylish, bloody and innovative. It was such
such a simple revenge narrative based on good and evil forces though.

Who cares. It has a great opening scene, it's cartoonish and its very pop artish. I just let it wash over me and savioured the experience of the visual spectacle of the choregraphed violence.

Filmkill-bill.jpg

It's a kind of homage to these movies from a cinephile or "film-geek" with lots of ironic, self-reflexive. Tarantino sure has watched a lot of low grade movies.

Is Kill BiIl more than an imitation, revision or reconsideration of Seventies grindhouse and western cinema? Is it more than a sprawling homage or the story of an angry woman's revenge? Maybe there is a hint of redemption in the film? Revenge as the path to redemption? A path involving the massacres of dozens of people and more or less getting away with it.

Maybe we can approach the violence as a kind of visual language? Maybe the way the film approaches the violence says something?

| Posted by Gary Sauer-Thompson at 09:23 PM | | Comments (0)
Comments