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rock paradigms « Previous | |Next »
May 03, 2006


Theodore Gracyk states in his Rock Music and the Politics of Identity that the Sex Pistols can be seen as a rock paradigm and not just another short-lived punk band amongst the hundreds that flourished from 1975-1978.

Popculturesexpistols.jpg

They occupy a defining moment in rock history and there is a general consensus that these artists and their music were most significant as models for future practice.

Popculturesexpistols1.jpg

What did the paradigm suggest by way of future practice. DIY music? Semiotics? Production values?

| Posted by Gary Sauer-Thompson at 11:57 PM | | Comments (3)
Comments

Comments

Anarchy is a great album - full of singles.

They just reminded people what rock n roll is about. Lots of attitude, noise, tight rythmn section and a charasmatic lead singer who doesn't always enounciate clearly. oh and not forgetting great catchy songs and riffs. And a good wall of sound producer, GSTQ has guitar overlays /dubs of 18 tracks from memory.

Francis,

if the 1977 album is a paradigm for for a wide network of mass art listners, then what was the musical direction in rock suggested by the Sex Pistols?

Even though punk positoned itself against all that rock had come to represent, the short sharp songs work within the tradition of the Small Faces, the Kinks and the Who but with far more fury and raw passion.

Never Minds The Bollocks was more than just a blistering rock n roll record. It was revolutionary and is probably the most important album to come out of England. Musically The Sex Pistols were fairly conservative but Lydon's lyrics were anything but----- decontructing the rather lame, backward looking, shabby and class ridden society that Britain had become.

You have to understand the social political context of that record. It was being played in school playgrounds and it was more than just about growing your hair long. Lydon was genuinely feared by the esablishment due to the range of subverse content of NMTB.