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June 27, 2006
Many who listen to rock music denounce the very idea of the aesthetics of rock as elitist nonsense. They do so whilst simultaneously pronouncing that 'rock' music is the 'expression' of emotion, grounding their ' judgement 'on what is 'good' musical 'work' or 'performance 'on personal' taste,' rework 'genius' as the rock god's unique 'expression ' and 'authenticity' and 'evaluate' different works that constitute the rock 'tradition.'

Jimi Hendrix, Woodstock Performance, 1969.
Aesthetics is denounced whilst making use of its categories. The contradiction is usually resolved by saying that no categoeies are used. It's just about the effect of the 'music' on the individual body. That the category music' is used instead of 'noise' is routinely overlooked. Nothing must disturb the entrenched 'romantic aesthetic' of rock culture.
It is true that aesthetic theory has, largely under the influence of Kant, become alienated from the actual experience of art -- the response to art had become abstracted and 'aestheticised' -- and, at the same time, aesthetic judgment had become purely a matter of taste and so a subjective response that collapses into romantic caprice and skeptical subjectivity.This bind's the meanings of a text, music, or performance to subjectivity--to personal emotion for rock music.
In Truth and Method, Gadamer seeks to rehabilitate the notion of 'taste' in order to show that rational judgements are not contingent upon publicly accessible rules for their rationality. For Gadamer, "taste knows something - though admittedly in a way that cannot be...reduced to rules and concepts" (38). A judgement of taste is not only in the realm of beauty, but of truth, but the judgement is facilitated by the tradition shaping a particular kind of person to make the judgement, rather than a discreet logical or psychological process.
So what we have are literary texts that are indeterminate and inexhaustible (prohibits replacing the work of art with critical commentaries on it); and criticism's collective and determining role belongs to a shared community of commentary whose history and thought is a record of the changing interpretations and understandings of the meanings of literary texts' or a particular piece of music'.
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Gary,Heavens to fucking betsy you do have taste!Jimi Hendrix a rock God no less.My God how this man has soothed my inner being.The man takes a poets(Dylan) song and POW All along the watch tower,takes me to Alpha Centauri.Hey I know he was pro Viet Nam,but I forgive him.Jimi Hendrix,Gary Moore,Stevie Ray Vaughn,Jeff Beck,Nirvana.Jesus H Christ I think I will kneel in prayer just thinking about them.
5000.000 Halos...
out shined the mud and history
We washed and drank
In God's tears of joy
And for once and for everyonthe truth was not a mystery
Love called to all...Music is Magic
As we passed over and beyond the walls of nay
Hand in Hand as we lived and
made real the dreams of peaceful men
We came together...Danced with
the pearls of of Rainy Weather
Riding the waves of music and Space
Music is Magic
Magic is life
Love as never Loved before
Harmony to Son and Daughter...man and wife.
Jimi Hendrix August 1969.
Unfortunately for Kant he never experienced an electric guitar otherwise he would have had empirical evidence for being alienated the actual experience of art."Are You experieced" snigger snigger.Phill.