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If there are diverse kinds of knowledge and ways of knowing place, then we need to learn to value the different ways each of us sees a single place that is significant, but differently so, for each perspective.
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signing off « Previous | |Next »
July 02, 2006

Brian Courtis, the television critic of the The Age, is signing off after many a long year. Given the way that free-to-air television has declined and there is now just so much drivel on, it would now be a tough gig:

OzCartoonsDitchburn.jpg
Ditchburn

In his farewell column he writes that:

Arts criticism in Australia, however, is generally elitist. The smaller an audience, the more precious and generous its print coverage. Thus, comment on literature, the fine arts, opera and dance has flourished. Cinema, haunt of both bug-eyed academics and popcorn masses, is perhaps an exception. But it does produce advertising revenue for print.Television does not do quite so well. It is seen as direct competition and, in critical terms, is rough trade. Now, however, as the landscape changes for the internet, there may be intriguing changes in media attitudes to both mainstream and pay TV.

Well there may be for the rough trade--Big Brother?--- that treated consumers so badly. It may well change the one-way relationship between the viewer and the "broadcaster" now that broadband networks are improving in terms of their speed. That means TV programmes can come down the same line as web data, whenever a viewer wants it. The control of the television experience needs to be placed more in the viewers hands.

Courtis then asks:

So how should print treat TV programs such as Lateline that shatter a newspaper's nightly deadlines with news-breaking stories that can only be reported and examined in print 30 hours later?And there are other questions on drama and the internet. Just how much TV globalisation we can take without losing our own culture, our own way? Do we need to accept from a political leader, who is jumping up and down in his tracksuit watching TV, that sport is all Australians can do well and that this somehow makes us a richer people?These are going to be interesting times for tomorrow's critics.

Do we need to worry about an Australian national culture any more in terms of television?


| Posted by Gary Sauer-Thompson at 04:17 PM | | Comments (3)
Comments

Comments

That means TV programmes can come down the same line as web data, whenever a viewer wants it.

I have bought both Battlestar Galactica and Ghost Hunters through iTunes.

Cameron,
where do you store them.On an ipod? On your desktop computer? On your laptop?

How do you view them? On the ipod, the computer or television. If the latter how do you link ipod or computer to the television?

Could you store them on a digital DVD player connected to the television?

Gary, On the PC, it has the biggest screen (21 inch). I watch them through iTunes on the PC, usually while I am doing something else. Though the Ghost Hunters episode in the Lighthouse had me enraptured to the screen.

BSG is one of the few programs that I will make my schedule around to ensure I am infront of the TV. Since the series is an on-going story line missing one episode can be annoying. So buying it for $2 IIRC the next day to watch was a godsend when I was travelling.

I am not sure what DRM Apple puts on their video feeds. I noticed that a 46 min BSG episode was 100mb. With iTunes I can cut AACs to CDROM as a music CD (but not as a digital format), so my guess is it might be the same for the video formats.

It is surprisingly convenient. I think the Ghosthunters series cost me $15, which is cheaper than a DVD.

I have only rewatched one episode of the ones I bought, so possibly more permanent shows are better on DVD.