September 07, 2006
One of the good things about Radio National's great Breakfast with Fran Kelly is the album of the week. It is presented by Tim Ritchie, from Sound Quality and it is an excellent way to introduce interesting and diverse contemporary music.
This week the latest album being introduced by Ritchie is the latest work by an electric string quartet FourPlay who are based in Sydney. The album is entitled 'Now To The Future.' The music, produced by violin, two violas and a cello plus vocals, sounded really interesting and innovative.

According to their website Fourplay started life as a classical string quartet, originally made up of friends from the Australian Youth Orchestra. Inspired by the Kronos, Balanescu and Brodsky Quartets' blurring of the boundaries between classical and rock music, they began playing rock covers for friends, then in the mid-1990s, they transformed themselves into an electric string quartet and started to warp the conventions of classical music.
FourPlay's repertoire includes covers of diverse artists such as the Beastie Boys, Jeff Buckley, Depeche Mode, Charles Mingus, Radiohead and The Strokes, and their own originals, inspired by wide array of diverse music such as rock, dub, folk, gypsy, klezmer, electronica, post-rock, jazz and improv. Sounds good doesn't it?
I haven't heard the new album, nor any of their previous music before. Apparently, the album captures the energy of their live performances and the breadth of their sound So I'm going to buy Now to the Future based on what I've heard. I see that they will play a gig at The Gov in Adelaide late October. Isee that Peter Hollo (cello & vocals) has weblog Stumblings in the Dark runs a music program called Utility Frog (it has a blogonline playlist ) on Sydney's fbi radiostation and writes occassionally for Cyclic Defrost, a thrice-a-year Australian specialist electronic music magazine.
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I now have to listen to RN in early AM as the bed partner has decided to wake to it.
I first caught Foreplay at the Apollo Bay Festival years ago playing in the Catholic Church. They are hot live but I reckon the studio CDs don't capture it, as well as say, Penguin Cafe or Kronos. I haven't got 'Now To The Future.' But I'm really praising with faint damns. They are good.
Almost anything produced by violas and cello sounds good I reckon. You could walk past and just knock each instrument and it would sound deep and musical.
I'm pretty sure Foreplay do a bit of Metallica live, they certainly did some impressive Hendrix each time I saw them.