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Mandy Martin, Puritjarra 2, 2005. For further information on MANDY MARTIN, refer here: http://www.mandy-martin.com/
If there are diverse kinds of knowledge and ways of knowing place, then we need to learn to value the different ways each of us sees a single place that is significant, but differently so, for each perspective.
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Remarkable rocks: tourist snaps « Previous | |Next »
May 27, 2007

The tourist is the autonomous modern subject at its logical end point of modernity: where the autonomy dimension of individual freedom triumphs over, and eclipses, the nomos element---the ties that bind together as a people, community or group.

The free tourist, as a spectator looking for the incredible experience at at spectacular vista, is free from any particular ties.They are free floating.

RemakableRocks2.jpg
Gary Sauer-Thompson, Remarkable Rocks 2, Kangaroo Island, 2007

Being a tourist is the emptiest of all of modes of subjectivity --and the flattest soul. The world the tourist travels though is one of old (19th century) pioneering customs bankrupted by the new global mores of the 21st century, but re-floated by tourism as nostalgia and heritage.

| Posted by Gary Sauer-Thompson at 07:15 PM | | Comments (4)
Comments

Comments

They are tourists

You are a backpacker

I'm a travellor

FXH,
a trip to Kangaroo Island should be more than the edifying experiences of the individual—be it the dutifully backpacking tourist or the ever hungry Hegelian Geist (the historical consumer par excellence).I went looking, like a good Heideggerian, for the confrontation of the future with the past.

Alas Kangaroo Island is not Greece.

Gary, Have you noticed that many tourists (especially Asians) hardly see or experience much at all of the places they go to. They are to busy taking photographs of everything.
The "real" experience begins when they go over the downloaded photographs on their computer screens in the comfort of their "living" rooms---back home.

John,
the image is what is important isn't it. Our lives are mediated by images in postmodernity.

 
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