July 04, 2007
See what I mean? It's another world. This is right in the CBD of Adelaide near the Central Market. It shows the decay of a city that has lost its way. It's place where the people bite and bleed, then they walk away. They're hurt, and sometimes they want more damage---the experiences that Lucinda Williams sings about in her songs of modern romance in a violent world.

Gary Sauer-Thompson, shed, Adelaide, 2007
Being immersed in the grit of a bleak experience sometimes means being unable to see beyond it. 'What's left is the dream of the broken hearted--finding love in hell. Hell is the seamy underworld hidden beneath the veneer of the idealised Adeliade in middle Australia, whose visual manifestation is roses, white-picket fenced homes and happy suburban families.
Adelaide CBD, with its dark underbelly and repressed desires is the place to play Lucinda Williams' heart wrenching, and emotionally bleak World Without Tears. It's about suffering: a life filled with booze, frustrated love affairs and violence in a world where the black storm clouds have covered up the winter sun again. It's about being haunted by the past--deindustrialization.
In the evening the broken hearted watch the early series of David Lynch's Twin Peaks television series. One of f the defining shows of the 1990s, it explores the seedy underside of "Small Town U.S.A" (Twin Peaks) for its surreal, nightmarish and dreamlike images, the focus on unconscious desires instead of traditional narration, and meticulously crafted sound design by Angelo Badalamenti.
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Gary wrote: "See what I mean? It's another world. This is right in the CBD of Adelaide near the Central Market. It shows the decay of a city that has lost its way."
Actually, Gary, I don't see what you mean. I'd rather see these dilapidated shells than a whole new suburb of Tuscan toilets that obliterate the landscape.
And isn't "World Without Tears" a thing of beauty as well?
It seems to me that you are down on Adelaide recently. What brought this on? What criteria are you using?