Thought-Factory.net Philosophical Conversations Public Opinion philosophy.com Junk for code

Mandy Martin, Puritjarra 2, 2005. For further information on MANDY MARTIN, refer here: http://www.mandy-martin.com/
If there are diverse kinds of knowledge and ways of knowing place, then we need to learn to value the different ways each of us sees a single place that is significant, but differently so, for each perspective.
RECENT ENTRIES
SEARCH
ARCHIVES
Library
Thinkers/Critics/etc
WEBLOGS
Australian Weblogs
Critical commentary
Visual blogs
CULTURE
ART
PHOTOGRAPHY
DESIGN/STREET ART
ARCHITECTURE/CITY
Film
MUSIC
Sexuality
FOOD & WiNE
Other
www.thought-factory.net
looking for something firm in a world of chaotic flux

an aesthetics of violence « Previous | |Next »
October 20, 2007

I became interested in an aesthetics of violence---after reading Monica Dux's There must be than hating Howard op ed in the Age. It reminded me of Edmund Burke early writings on the aesthetic and the sublime, which were intimately connected to his political concerns.

The heart of his aesthetic addressed itself to the experience of terror, a spectre that haunts Burke's political imagination throughout his career. Burke's preoccupation with violence, sympathy and pain actually allowed him to explore the dark side of the Enlightenment.

Isn't that dark side of the Enlightenment (social liberal version for Dux) what is disclosed by the deeper current of Dux---both her talk about hate, venom, intoxicated by blood lust etc---and the political violence in her 1990s feminism? Violence, pain and terror (Tampa and Howard's jackbook Intervention into the Northern Territory are Dux's examples) are all sitting there in her text---as Sandra saw. Isn't this terror the spectre that is haunting Dux and her Howard hating thirty somethings?

Burke's Philosophical Enquiry into the Origin of Our Ideas on the Sublime and the Beautiful (1757), introduces the idea that sublimity is constituted by a fear of alterity whereby the sublime is achieved artistically by a tantalizing obscuring of otherness. Burke argues:

Whatever is fitted in any sort to excite the ideas of pain, and danger, that is to say, whatever is any sort terrible, or is conversant about terrible objects, or operates in a manner analogous to terror, is a source of the sublime; that is, it is productive of the strongest emotion which the mind if capable of feeling. (39)

So we have aesthetics bound to politics and vica versa. Burk's text is one of the three theoretical "arche-texts of the sublime" ---ie., Pseudo-Longinos, Burke, and Kant

Dux, as an independent literary writer, is talking about the relationship between the sublime and terror in politics and her words --- hate, venom, intoxicated by blood lust ---refer to the experience of the sublime. If we dig back to the text of Pseudo-Longinos we find the sublime linked to ethics----which is what Dux is doing.

| Posted by Gary Sauer-Thompson at 05:12 PM | | Comments (1)
Comments

Comments

Funny, I havent seen The Whitlams this election

 
Post a comment

(If you haven't left a comment here before, you may need to be approved by the site owner before your comment will appear. Until then, it won't appear on the entry. Thanks for waiting.)

Name:
Email Address:
URL:
Remember personal info?
Comments: (you may use HTML tags for style)